The Philadelphia Orchestra Yannick Nézet-Séguin Music Director

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Wells Fargo continues its commitment to The Philadelphia Orchestra Neighborhood Concerts as presenting sponsor for the eighth consecutive year.

Please note the Penn’s Landing 6:30 PM concert start time reflects a change from a previously published earlier time for logistical reasons.

This concerts is FREE and open to the public. Seating is general admission and first come, first served. Seating for this concert will be outdoors. We encourage you to bring your blankets and chairs to enjoy an evening with The Philadelphia Orchestra.

Don't miss this year's FREE Concert for College Students! Come out for a night of festivities at the Kimmel Center featuring The Philadelphia Orchestra in concert with violinist Leila Josefowicz, pre-concert activities, and a post-concert party with food, drinks, and live music from a local band!

All ticket-holders must be full-time college students and present a valid student ID with printed ticket on the night of the concert. Tickets are general admission and seating is subject to availability.

eZseatU is made possible with support from PNC Arts Alive.

Maestro Charles Dutoit ignites the start of his final season as chief conductor with the breathless "Classical" Symphony of Prokofiev. Beethoven's propulsive Seventh Symphony completes the program, which also features violinist Julian Rachlin in the shimmering Violin Concerto by Sibelius.

Maestro Charles Dutoit ignites the start of his final season as chief conductor with the breathless "Classical" Symphony of Prokofiev. Beethoven's propulsive Seventh Symphony completes the program, which also features violinist Julian Rachlin in the shimmering Violin Concerto by Sibelius.

Maestro Charles Dutoit ignites the start of his final season as chief conductor with the breathless "Classical" Symphony of Prokofiev. Beethoven's propulsive Seventh Symphony completes the program, which also features violinist Julian Rachlin in the shimmering Violin Concerto by Sibelius.

A true mega-star of the musical world, Lang Lang celebrates the 200th birthday of Franz Liszt, performing his fiery Piano Concerto No. 1.

A true mega-star of the musical world, Lang Lang performs Beethoven's elegant Piano Concerto No. 2 and Dutoit presents the riveting and powerful Symphony No. 10 of Shostakovich.

A true mega-star of the musical world, Lang Lang celebrates the 200th birthday of Franz Liszt, performing his fiery Piano Concerto No. 1.

This performance will be offered in high definition across NCM Fathom’s Digital Broadcast Network (DBN) in hundreds of locations. Visit www.FathomEvents.com for more information.

Philadelphia Orchestra musicians perform your favorite spooktacular classics, including Wagner's "The Ride of the Valkyries" and Grieg's "In the Hall of the Mountain King." Haunting harmonies and mysterious melodies turn Verizon Hall into a chilling chamber of Halloween fright and delight. The Orchestra will be in their best costumes, so dress your family in theirs, too! Experience the excitement and enchantment of classical music at its ghoulish best.

To 19th-century Germans, England was famously "the land without music." There had been no British composers of distinction for 200 years. So, when suddenly and unexpectedly an obscure provincial musician named Edward Elgar brought forth a strange orchestral piece--a set of variations on an unknown theme in which each movement was a portrait of one of his friends--it was a matter for astonishment, an enigma indeed. "Here," declared one critic, "is a man who knows what he wants to say and knows how to say it!"

Beyond the Score® is produced by the Chicago Symphony Orchestra

Exactly what is Elgar's "enigma?" We may never know. But we can still enjoy these 14 charming variations on a theme that Elgar composed "to my friends pictured within." And Gautier Capuçon makes his Philadelphia Orchestra subscription debut with Schumann's noble Cello Concerto.

Exactly what is Elgar's "enigma"? We may never know. But we can still enjoy these 14 charming variations on a theme that Elgar composed "to my friends pictured within." And Gautier Capuçon makes his Philadelphia Orchestra subscription debut with Schumann's noble Cello Concerto.

Members of the Orchestra perform chamber music masterworks by Beethoven and Mozart.

Brahms called this his "Human Requiem." He affirms a universal message of hope with some of his most glorious music as Yannick continues his exploration of the great requiems.

Brahms called this his "Human Requiem." He affirms a universal message of hope with some of his most glorious music as Yannick continues his exploration of the great requiems.

Music Director Designate Yannick Nézet-Séguin steps forward to increase his time with The Philadelphia Orchestra and its audiences in 2011-12. Yannick now leads the Orchestra in this Italian-themed program.

Music Director Designate Yannick Nézet-Séguin steps forward to increase his time with The Philadelphia Orchestra and its audiences in 2011-12. Yannick now leads the Orchestra in this Italian-themed program.

Music Director Designate Yannick Nézet-Séguin steps forward to increase his time with The Philadelphia Orchestra and its audiences in 2011-12. Yannick now leads the Orchestra in this Italian-themed program.

Jurowski leads the massive symphonic forces of Shostakovich's "Leningrad"--the composer's powerful tribute to his beloved hometown under siege.

Jurowski leads the massive symphonic forces of Shostakovich's "Leningrad"--the composer's powerful tribute to his beloved hometown under siege.

Jurowski leads the massive symphonic forces of Shostakovich's "Leningrad"--the composer's powerful tribute to his beloved hometown under siege.

Introducing toddlers ages 3 to 5 to the instruments of the Orchestra: Double Bass.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater.

Maestro Christoph Eschenbach returns to The Philadelphia Orchestra to lead two contrasting Beethoven symphonies--the classical whimsy of the Fourth is contrasted against the more sardonic and humorous Eighth. Curtis graduate Jennifer Koh performs Bruch's youthful yet expressive Violin Concerto No. 1.

Maestro Christoph Eschenbach returns to The Philadelphia Orchestra to lead two contrasting Beethoven symphonies--the classical whimsy of the Fourth is contrasted against the more sardonic and humorous Eighth. Curtis graduate Jennifer Koh performs Bruch's youthful yet expressive Violin Concerto No. 1.

Maestro Christoph Eschenbach returns to The Philadelphia Orchestra to lead two contrasting Beethoven symphonies--the classical whimsy of the Fourth is contrasted against the more sardonic and humorous Eighth. Curtis graduate Jennifer Koh performs Bruch's youthful yet expressive Violin Concerto No. 1.

Jazz. Spirituals. Native-American rhythms. These sounds echo through the vibrant cities and across the vast landscapes of the Americas. Principal Clarinet Ricardo Morales is featured in the Copland Clarinet Concerto, originally written for Benny Goodman.

Jazz. Spirituals. Native-American rhythms. These sounds echo through the vibrant cities and across the vast landscapes of the Americas. Principal Clarinet Ricardo Morales is featured in the Copland Clarinet Concerto, originally written for Benny Goodman.

Jazz. Spirituals. Native-American rhythms. These sounds echo through the vibrant cities and across the vast landscapes of the Americas. Principal Clarinet Ricardo Morales is featured in the Copland Clarinet Concerto, originally written for Benny Goodman.

Yannick celebrates two great Philadelphia Orchestra premieres--Rachmaninoff's Rhapsody on a Theme of Paganini (1934), which became one of the most famous works written in the 20th century, and Jennifer Higdon's Concerto for Orchestra (2002), one of the most successful works of the 21st century. It's Yannick, Jennifer Higdon, and the music of Philadelphia together in a remarkable partnership.

Yannick celebrates two great Philadelphia Orchestra premieres--Rachmaninoff's Rhapsody on a Theme of Paganini (1934), which became one of the most famous works written in the 20th century, and Jennifer Higdon's Concerto for Orchestra (2002), one of the most successful works of the 21st century. It's Yannick, Jennifer Higdon, and the music of Philadelphia together in a remarkable partnership.

Yannick celebrates two great Philadelphia Orchestra premieres--Rachmaninoff's Rhapsody on a Theme of Paganini (1934), which became one of the most famous works written in the 20th century, and Jennifer Higdon's Concerto for Orchestra (2002), one of the most successful works of the 21st century. It's Yannick, Jennifer Higdon, and the music of Philadelphia together in a remarkable partnership.

Yannick celebrates two great Philadelphia Orchestra premieres--Rachmaninoff's Rhapsody on a Theme of Paganini (1934), which became one of the most famous works written in the 20th century, and Jennifer Higdon's Concerto for Orchestra (2002), one of the most successful works of the 21st century. It's Yannick, Jennifer Higdon, and the music of Philadelphia together in a remarkable partnership.

Named for the Orchestra's best-selling Christmas album, these concerts are ideal for listeners of all ages and are sure to put you into the holiday spirit!

The Philadelphia Orchestra lends its lush sound to timeless holiday classics! Named for the Orchestra's best-selling Christmas album, these concerts are ideal for listeners of all ages and are sure to put you into the holiday spirit!

The Philadelphia Orchestra lends its lush sound to timeless holiday classics! Named for the Orchestra's best-selling Christmas album, these concerts are ideal for listeners of all ages and are sure to put you into the holiday spirit!

Messiah has been an annual Orchestra tradition since 1961. Start your holiday tradition with The Philadelphia Orchestra today.

Start your New Year’s celebration in style with The Philadelphia Orchestra. Celebrate the timeless music of old Vienna in an evening of music and dance inspired by the legendary waltzes.

It's fate knocking at the door. The beginning four notes of Beethoven's Fifth are the most poignant ever written. David Zinman brings his own unique interpretive style to the work, including the brisk tempos Beethoven indicated, and a period-informed approach to orchestral sound. Walton's extremely challenging Viola Concerto will be in the virtuosic hands of Philadelphia Orchestra Principal Viola Choong-Jin Chang.

It's fate knocking at the door. The beginning four notes of Beethoven's Fifth are the most poignant ever written. David Zinman brings his own unique interpretive style to the work, including the brisk tempos Beethoven indicated, and a period-informed approach to orchestral sound. Walton's extremely challenging Viola Concerto will be in the virtuosic hands of Philadelphia Orchestra Principal Viola Choong-Jin Chang.

It's fate knocking at the door. The beginning four notes of Beethoven's Fifth are the most poignant ever written. David Zinman brings his own unique interpretive style to the work, including the brisk tempos Beethoven indicated, and a period-informed approach to orchestral sound. Walton's extremely challenging Viola Concerto will be in the virtuosic hands of Philadelphia Orchestra Principal Viola Choong-Jin Chang.

The youthful Robin Ticciati, already featured on the world's greatest stages, leads Sibelius's sweeping Second Symphony in his Philadelphia Orchestra debut. The elegance and beauty of Arabella Steinbacher's musicianship is featured in Beethoven's soaring Violin Concerto.

The youthful Robin Ticciati, already featured on the world's greatest stages, leads Sibelius's sweeping Second Symphony in his Philadelphia Orchestra debut. The elegance and beauty of Arabella Steinbacher's musicianship is featured in Beethoven's soaring Violin Concerto.

The youthful Robin Ticciati, already featured on the world's greatest stages, leads Sibelius's sweeping Second Symphony in his Philadelphia Orchestra debut. The elegance and beauty of Arabella Steinbacher's musicianship is featured in Beethoven's soaring Violin Concerto.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines.

Blomstedt is a leading interpreter of the works of Beethoven, presenting the triumphal "Eroica" Symphony and the noble Third Piano Concerto. These mark his first appearances with the Orchestra since 2006.

Blomstedt is a leading interpreter of the works of Beethoven, presenting the triumphal "Eroica" Symphony and the noble Third Piano Concerto. These mark his first appearances with the Orchestra since 2006.

Blomstedt is a leading interpreter of the works of Beethoven, presenting the triumphal "Eroica" Symphony and the noble Third Piano Concerto. These mark his first appearances with the Orchestra since 2006.

Did Mahler foresee the personal tragedy that was about to sweep across his life amid a successful career? The dramatic and fateful music of his Sixth Symphony--depicted by forceful hammer blows and large brass chorales--eerily portends the heartbreak that would soon enter his world. Yannick contrasts the scope of this impressive symphony with the intimate setting of Bach's Brandenburg Concerto No. 5, which he will lead from the harpsichord.

Did Mahler foresee the personal tragedy that was about to sweep across his life amid a successful career? The dramatic and fateful music of his Sixth Symphony--depicted by forceful hammer blows and large brass chorales--eerily portends the heartbreak that would soon enter his world. Yannick contrasts the scope of this impressive symphony with the intimate setting of Bach's Brandenburg Concerto No. 5, which he will lead from the harpsichord.

The luminous orchestration of spins an ages-old Arabian tale. And an audience favorite since her Philadelphia Orchestra debut at age 10, Nadja Salerno-Sonnenberg performs the daring Shostakovich Violin Concerto No. 1, in Luisotti's Philadelphia Orchestra debut.

The luminous orchestration of spins an ages-old Arabian tale. And an audience favorite since her Philadelphia Orchestra debut at age 10, Nadja Salerno-Sonnenberg performs the daring Shostakovich Violin Concerto No. 1, in Luisotti's Philadelphia Orchestra debut.

The luminous orchestration of spins an ages-old Arabian tale. And an audience favorite since her Philadelphia Orchestra debut at age 10, Nadja Salerno-Sonnenberg performs the daring Shostakovich Violin Concerto No. 1, in Luisotti's Philadelphia Orchestra debut.

What happens when a "madman" moves upstairs? Embark on the story of young Christoph and discover the genius of master composer Ludwig van Beethoven.

Grammy Award-winning violinist James Ehnes returns with Mendelssohn's beloved Violin Concerto. Individual members of the Orchestra are highlighted throughout the program in Bartók's masterpiece, the Concerto for Orchestra, and the winds are imaginatively featured in Martin's Concerto for Seven Winds. A Philadelphia night to remember.

Grammy Award-winning violinist James Ehnes returns with Mendelssohn's beloved Violin Concerto. Individual members of the Orchestra are highlighted throughout the program in Bartók's masterpiece, the Concerto for Orchestra, and the winds are imaginatively featured in Martin's Concerto for Seven Winds. A Philadelphia night to remember.

Grammy Award-winning violinist James Ehnes returns with Mendelssohn's beloved Violin Concerto. Individual members of the Orchestra are highlighted throughout the program in Bartók's masterpiece, the Concerto for Orchestra, and the winds are imaginatively featured in Martin's Concerto for Seven Winds. A Philadelphia night to remember.

The Philadelphia Orchestra’s Christopher Deviney, Principal Percussion, joins award-winning storyteller, Charlotte Blake Alston, at the next Sound All Around program for an interactive concert designed with our youngest audience members in mind. Children ages 3-5 listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Concerts are 45 minutes long and are a great way for kids, families, daycares, and school groups to have fun with music.

The Philadelphia Orchestra’s Christopher Deviney, Principal Percussion, joins award-winning storyteller, Charlotte Blake Alston, at the next Sound All Around program for an interactive concert designed with our youngest audience members in mind. Children ages 3-5 listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Concerts are 45 minutes long and are a great way for kids, families, daycares, and school groups to have fun with music.

Christopher Deviney, Principal Percussion, joins award-winning storyteller, Charlotte Blake Alston, for an interactive concert designed with our youngest audience members in mind.

The Philadelphia Orchestra’s Christopher Deviney, Principal Percussion, joins award-winning storyteller, Charlotte Blake Alston, at the next Sound All Around program for an interactive concert designed with our youngest audience members in mind. Children ages 3-5 listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Concerts are 45 minutes long and are a great way for kids, families, daycares, and school groups to have fun with music.

There is no better showcase for "The Philadelphia Sound" than the music of Rachmaninoff. Two more orchestral masterpieces by Strauss and Hindemith spotlight every facet of this ensemble's unique musical character.

There is no better showcase for "The Philadelphia Sound" than the music of Rachmaninoff. Two more orchestral masterpieces by Strauss and Hindemith spotlight every facet of this ensemble's unique musical character.

The classical and elegant stylings of Emanuel Ax draw out the finest textures of Mozart's impeccable writing. Frühbeck emphasizes the robust and full-bodied sounds of Brahms's lush orchestration. It's a perfect Philadelphia partnership of artists and music.

The classical and elegant stylings of Emanuel Ax draw out the finest textures of Mozart's impeccable writing. Frühbeck emphasizes the robust and full-bodied sounds of Brahms's lush orchestration. It's a perfect Philadelphia partnership of artists and music.

The classical and elegant stylings of Emanuel Ax draw out the finest textures of Mozart's impeccable writing. Frühbeck emphasizes the robust and full-bodied sounds of Brahms's lush orchestration. It's a perfect Philadelphia partnership of artists and music.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines.

Spanish guitar, flamenco rhythms, and thrilling orchestral colors. Frühbeck uniquely induces rousing scenes from his homeland of Spain.

Spanish guitar, flamenco rhythms, and thrilling orchestral colors. FrÜhbeck uniquely induces rousing scenes from his homeland of Spain.

Spanish guitar, flamenco rhythms, and thrilling orchestral colors. FrÜhbeck uniquely induces rousing scenes from his homeland of Spain.

Philadelphia Orchestra horn player Shelley Showers joins award-winning storyteller Charlotte Blake Alston at the next Sound All Around program for our youngest audience members.

Philadelphia Orchestra horn player Shelley Showers joins award-winning storyteller Charlotte Blake Alston at the next Sound All Around program for an interactive concert designed with our youngest audience members in mind.

Philadelphia Orchestra horn player Shelley Showers joins award-winning storyteller Charlotte Blake Alston at the next Sound All Around program for an interactive concert designed with our youngest audience members in mind.

Philadelphia Orchestra horn player Shelley Showers joins award-winning storyteller Charlotte Blake Alston at the next Sound All Around program for our youngest audience members.

Music for the jazz hall, the ballet stage, and the silver screen. Gershwin's jazzy Rhapsody in Blue is presented for the first time in over 40 years on The Philadelphia Orchestra's subscription concerts. Bernstein's film score stands the test of time and Tchaikovsky's ballet is one of his most iconic works.

Music for the jazz hall, the ballet stage, and the silver screen. Gershwin's jazzy Rhapsody in Blue is presented for the first time in over 40 years on The Philadelphia Orchestra's subscription concerts. Bernstein's film score stands the test of time and Tchaikovsky's ballet is one of his most iconic works.

Music for the jazz hall, the ballet stage, and the silver screen. Gershwin's jazzy Rhapsody in Blue is presented for the first time in over 40 years on The Philadelphia Orchestra's subscription concerts. Bernstein's film score stands the test of time and Tchaikovsky's ballet is one of his most iconic works.

Beneath the simplicity of Mozart's final piano concerto lies one of the most subtle and perfect architectural structures in music.

Gianandrea Noseda returns to lead a whirlwind tour, beginning in his native Italy with Rossini's famous William Tell Overture. First Associate Concertmaster Juliette Kang is featured as soloist in Prokofiev's bounding Violin Concerto No. 1, written at the time of the Russian Revolution. The program concludes with a sojourn to Scotland with Mendelssohn's Symphony No. 3.

Gianandrea Noseda returns to lead a whirlwind tour, beginning in his native Italy with Rossini's famous William Tell Overture. First Associate Concertmaster Juliette Kang is featured as soloist in Prokofiev's bounding Violin Concerto No. 1, written at the time of the Russian Revolution. The program concludes with a sojourn to Scotland with Mendelssohn's Symphony No. 3.

Gianandrea Noseda returns to lead a whirlwind tour, beginning in his native Italy with Rossini's famous William Tell Overture. First Associate Concertmaster Juliette Kang is featured as soloist in Prokofiev's bounding Violin Concerto No. 1, written at the time of the Russian Revolution. The program concludes with a sojourn to Scotland with Mendelssohn's Symphony No. 3.

Mozart was inspired by the beauty and culture of Prague nearly 100 years before Dvorak composed his profound and melodious Symphony No. 7. James Conlon joins the Orchestra, continuing a close friendship for the past 35 years.

Mozart was inspired by the beauty and culture of Prague nearly 100 years before Dvorak composed his profound and melodious Symphony No. 7. James Conlon joins the Orchestra, continuing a close friendship for the past 35 years.

Mozart was inspired by the beauty and culture of Prague nearly 100 years before Dvorak composed his profound and melodious Symphony No. 7. James Conlon joins the Orchestra, continuing a close friendship for the past 35 years.

Celebrate and discover the talents of young Philadelphia artists as the extraordinary winners of The Philadelphia Orchestra's Albert M. Greenfield Student Competition perform for you.

Salonen, the former music director of the Los Angeles Philarmonic, now crosses between worlds as a foremost composer and conductor. In a rare Philadelphia appearance, Salonen leads his own Violin Concerto plus Debussy's incandescent sea-scape, La Mer.

Salonen, the former music director of the Los Angeles Philarmonic, now crosses between worlds as a foremost composer and conductor. In a rare Philadelphia appearance, Salonen leads his own Violin Concerto plus Debussy's incandescent sea-scape, La Mer.

Salonen, the former music director of the Los Angeles Philarmonic, now crosses between worlds as a foremost composer and conductor. In a rare Philadelphia appearance, Salonen leads his own Violin Concerto plus Debussy's incandescent sea-scape, La Mer.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines.

Stravinsky's virtuosic score colorfully illustrates the charming tale of a puppet that comes to life and falls in love. Bronfman takes on the towering Bartók Second Piano Concerto, a demanding work for soloist and orchestra alike.

Stravinsky's virtuosic score colorfully illustrates the charming tale of a puppet that comes to life and falls in love. Bronfman takes on the towering Bartók Second Piano Concerto, a demanding work for soloist and orchestra alike.

Stravinsky's virtuosic score colorfully illustrates the charming tale of a puppet that comes to life and falls in love. Bronfman takes on the towering Bartók Second Piano Concerto, a demanding work for soloist and orchestra alike.

There's dreadful news from the concert hall—the composer is dead! Discover the instruments of the orchestra as the Inspector interrogates all of the usual suspects.

Over a mere two years, Tchaikovsky poured out a stream of masterpieces, culminating in his Fourth Symphony, a 19th-century Russian music drama to rival the great literary dramas of Pushkin and Tolstoy.

Three mighty giants of Russian music--Tchaikovsky, Rimsky-Korsakov, and Shostakovich. After several highly-praised appearances, Jaap van Zweden returns to lead Tchaikovsky's beloved Fourth Symphony, which complements Rimsky-Korsakov's solemn Russian Easter Overture. Shostakovich's Chamber Symphony features the Orchestra's virtuosic strings.

Three mighty giants of Russian music--Tchaikovsky, Rimsky-Korsakov, and Shostakovich. After several highly-praised appearances, Jaap van Zweden returns to lead Tchaikovsky's beloved Fourth Symphony, which complements Rimsky-Korsakov's solemn Russian Easter Overture. Shostakovich's Chamber Symphony features the Orchestra's virtuosic strings.

Join us as Philadelphia Orchestra musicians create a very special ensemble for the final Sound All Around program of the season.

Join us as Philadelphia Orchestra musicians Joseph Conyers, assistant principal bass; Daniel Matsukawa, principal bassoon; Jeffrey Lang, associate principal horn (4/21); Shelley Showers, horn (4/23); and Christopher Deviney, principal percussion; create a very special ensemble for the final Sound All Around program of the season.

Join us as Philadelphia Orchestra musicians Joseph Conyers, assistant principal bass; Daniel Matsukawa, principal bassoon; Jeffrey Lang, associate principal horn (4/21); Shelley Showers, horn (4/23); and Christopher Deviney, principal percussion; create a very special ensemble for the final Sound All Around program of the season.

Join us as Philadelphia Orchestra musicians Joseph Conyers, assistant principal bass; Daniel Matsukawa, principal bassoon; Jeffrey Lang, associate principal horn (4/21); Shelley Showers, horn (4/23); and Christopher Deviney, principal percussion; create a very special ensemble for the final Sound All Around program of the season.

Simon Rattle, in a rare US guest-conducting appearance, leads the sweeping and expressive Third symphonies of both Brahms and Schumann. These create an ideal framework for the revolutionary style of Webern's hyper-romantic Six Pieces for Orchestra. Rattle and Philadelphia, a partnership not to be missed.

Simon Rattle, in a rare US guest-conducting appearance, leads the sweeping and expressive Third symphonies of both Brahms and Schumann. These create an ideal framework for the revolutionary style of Webern's hyper-romantic Six Pieces for Orchestra. Rattle and Philadelphia, a partnership not to be missed.

Simon Rattle, in a rare US guest-conducting appearance, leads the sweeping and expressive Third symphonies of both Brahms and Schumann. These create an ideal framework for the revolutionary style of Webern's hyper-romantic Six Pieces for Orchestra. Rattle and Philadelphia, a partnership not to be missed.

Charles Dutoit tours two centuries of music from the City of Light ranging from the luminous music of Mozart and Saint-Saëns to the large and impressive forces of Debussy and Scriabin. Concertmaster David Kim is featured.

Charles Dutoit tours two centuries of music from the City of Light ranging from the luminous music of Mozart and Saint-Saëns to the large and impressive forces of Debussy and Scriabin. Concertmaster David Kim is featured.

Strauss's scandalous retelling of Sophocles's Greek tragedy is imagined through an impossibly-demanding score for a large orchestra and a brave cast of daring singers.

Strauss's scandalous retelling of Sophocles's Greek tragedy is imagined through an impossibly-demanding score for a large orchestra and a brave cast of daring singers.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines.

Acclaimed pianist Maria João Pires has graciously agreed to join The Philadelphia Orchestra as soloist in its May 17 and 19 concerts, replacing Maurizio Pollini, who was originally scheduled to appear. Mr. Pollini has regrettably withdrawn from the Orchestra’s performances, as well as all of his upcoming U.S. engagements, for health reasons.

Acclaimed pianist Maria João Pires has graciously agreed to join The Philadelphia Orchestra as soloist in its May 17 and 19 concerts, replacing Maurizio Pollini, who was originally scheduled to appear. Mr. Pollini has regrettably withdrawn from the Orchestra’s performances, as well as all of his upcoming U.S. engagements, for health reasons.

The Rittenhouse Square Committee presents one-hour lecture presentation featuring musicians, musicologists, and composers who illuminate the music of that afternoon’s concert, followed by a celebrity guest and a catered luncheon.

The Rittenhouse Square Committee presents one-hour lecture presentation featuring musicians, musicologists, and composers who illuminate the music of that afternoon’s concert, followed by a celebrity guest and a catered luncheon.

The Rittenhouse Square Committee presents one-hour lecture presentation featuring musicians, musicologists, and composers who illuminate the music of that afternoon’s concert, followed by a celebrity guest and a catered luncheon.

The Rittenhouse Square Committee presents one-hour lecture presentation featuring musicians, musicologists, and composers who illuminate the music of that afternoon’s concert, followed by a celebrity guest and a catered luncheon.

Lecture Luncheons are open to the public. To join or renew, make your donation today.

Opening Night Concert and Gala of The Philadelphia Orchestra will be held at the University of Pennsylvania on October 13.

The concert, which is led by Chief Conductor Charles Dutoit will be performed at the historic Irvine Auditorium in the Perelman Quad. The concert begins at 7:00 PM as originally scheduled and will be performed without intermission. The Gala Dinner, which immediately follows the concert, will be held at the University of Pennsylvania Museum of Archeology and Anthropology.

Join Principal Player Circle members at a “Meet the Artist” Salon Series event with Daniel Matsukawa, Philadelphia Orchestra's Principal Bassoon.

Join Principal Player Circle members at a “Meet the Artist” Salon Series event with guest artist Arabella Steinbacher.

Salon Series events are an Annual Fund membership benefit. To join or renew, make your donation today.

Learn More about The Annual Fund

Join Principal Player Circle members at a “Meet the Artist” Salon Series event with guest artist Stewart Goodyear.

Join Friends’ Circle members and above watch a working session of the Orchestra with Maestro Charles Dutoit and esteemed guest artist Gautier Capucon rehearsing the following pieces.

Join Friends’ Circle members and above watch a working session of the Orchestra with Maestro Marin Alsop and esteemed guest artist Ricardo Morales rehearsing the following pieces.

Join Friends’ Circle members and above watch a working session of the Orchestra with Maestro Rafael Fruhbeck de Burgos and esteemed guest artist Emanuel Ax rehearsing the following pieces.

Join Friends’ Circle members and above watch a working session of the Orchestra with Maestro Esa-Pekka Salonen and esteemed guest artist Leila Josefowicz rehearsing the following pieces.

Join Friends’ Circle members and above watch a working session of the Orchestra with Maestro Charles Dutoit and esteemed concert master David Kim rehearsing the following pieces.

Musicians’ Circle donors and above can enjoy an exclusive pre-rehearsal breakfast and conversation with Maestro Gianandrea Noseda prior to the rehearsal. Breakfast begins at 9:30 AM at the Kimmel Center in the Rendell Room (located on Tier 1) with rehearsal beginning promptly at 10:30 AM in Verizon Hall.

Maestro Noseda and esteemed violinist Juliette Kang will rehearse the following pieces.

Rossini Overture to William Tell
Prokofiev Violin Concerto No. 1
Mendelssohn Symphony No. 3 (“Scottish”)

Maestro’s Circle Partners, Champions, and Fabulous Philadelphians enjoy the opportunity to travel with our musicians on The Philadelphia Orchestra’s train to New York and to enjoy dinner and a concert at Carnegie Hall(fees apply).

Brahms called this his "Human Requiem." He affirms a universal message of hope with some of his most glorious music as Yannick continues his exploration of the great requiems.

Join Principal Player Circle members at a “Meet the Artist” Salon Series event with guest conductor Gilbert Varga.

Salon Series events are an Annual Fund membership benefit. To join or renew, make your donation today.

Learn More about The Annual Fund

The Philadelphia Orchestra returns once again for a performance in the magnificent Academy of Music.

Celebrate the life and work of Dr. Martin Luther King Jr. with this free community concert.

Hear highlights of Yannick's inaugural season as music director, and enjoy happy hour specials at the Wolfgang Puck PECO Bar and live entertainment by PhilOrch Jazz.

Two dynamic and beloved works, combined as Stokowski presented these masterpieces nearly 100 years ago. Dvorak’s “New World” Symphony paints scenic landscapes of the American countryside, inspired by folk tunes and spirituals. Rimsky-Korsakov’s Sheherazade, one of the most vibrant and colorful orchestral works ever written, based on the legendary tale of A Thousand and One Nights. Please call 215.893.1999 for tickets.

One hundred years later, Yannick conducts repertoire from Leopold Stokowski's historic opening concert.

Recorded by The Philadelphia Orchestra and Leopold Stokowski in the Academy of Music, Disney’s Fantasia has introduced young audiences to classical music for generations.

Stokowski ended each season with selecting a program from audience requests. Now it’s your turn to help chose the final program of the year.

Make plans now for a festive evening of music with Renée Fleming and Yannick for his inaugural celebration. Join us for a toast as we welcome Yannick to Philadelphia!

A monumental work for a monumental occasion--the inaugural concerts of The Philadelphia Orchestra's eighth music director. Continuing his exploration of the great requiems, Yannick has assembled an international cast of spectacular vocalists for the profound drama and operatic style of Verdi's revered Requiem. The thundering of the famous "Dies irae," the brass choirs throughout the hall, and the multitude of voices raised to the heavens combine to create a powerful musical experience that will kickoff this remarkable season.

A monumental work for a monumental occasion--the inaugural concerts of The Philadelphia Orchestra's eighth music director. Continuing his exploration of the great requiems, Yannick has assembled an international cast of spectacular vocalists for the profound drama and operatic style of Verdi's revered Requiem. The thundering of the famous "Dies irae," the brass choirs throughout the hall, and the multitude of voices raised to the heavens combine to create a powerful musical experience that will kickoff this remarkable season.

A monumental work for a monumental occasion--the inaugural concerts of The Philadelphia Orchestra's eighth music director. Continuing his exploration of the great requiems, Yannick has assembled an international cast of spectacular vocalists for the profound drama and operatic style of Verdi's revered Requiem. The thundering of the famous "Dies irae," the brass choirs throughout the hall, and the multitude of voices raised to the heavens combine to create a powerful musical experience that will kickoff this remarkable season.

Violinist Joshua Bell returns to Philadelphia, performing Bernstein's lyrical Serenade, inspired by the great Greek philosophers and their testimonies on love and romance. The second half of the program features the Fourth Symphony of Brahms, long a favorite of Philadelphia audiences, known for its expressive melodies and rich harmonies. To open the program, Gabriela Lena Frank composes a celebratory new work--commissioned for the inaugural concerts of our new music director. Her music often reflects her diverse heritage from Peru, China, and Lithuania.

Violinist Joshua Bell returns to Philadelphia, performing Bernstein's lyrical Serenade, inspired by the great Greek philosophers and their testimonies on love and romance. The second half of the program features the Fourth Symphony of Brahms, long a favorite of Philadelphia audiences, known for its expressive melodies and rich harmonies. To open the program, Gabriela Lena Frank composes a celebratory new work--commissioned for the inaugural concerts of our new music director. Her music often reflects her diverse heritage from Peru, China, and Lithuania.

Violinist Joshua Bell returns to Philadelphia, performing Bernstein's lyrical Serenade, inspired by the great Greek philosophers and their testimonies on love and romance. The second half of the program features the Fourth Symphony of Brahms, long a favorite of Philadelphia audiences, known for its expressive melodies and rich harmonies. To open the program, Gabriela Lena Frank composes a celebratory new work--commissioned for the inaugural concerts of our new music director. Her music often reflects her diverse heritage from Peru, China, and Lithuania.

Jamie Bernstein, daughter of famed conductor and composer Leonard Bernstein, returns to Philadelphia with an interactive concert featuring the music of Aaron Copland.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines.

As America elects its president, celebrate our democracy with composers whose music is as varied as the American landscape. Copland's Appalachian Spring portrays the American countryside with brilliant simplicity, while Gershwin's Piano Concerto in F is propelled by the urban energy of New York's jazz clubs. The music of Puerto Rican-born Roberto Sierra is known for its rhythmic propulsion and danceable melodies. Experience the Philadelphia premiere of his Sinfonia No.

As America elects its president, celebrate our democracy with composers whose music is as varied as the American landscape. Copland's Appalachian Spring portrays the American countryside with brilliant simplicity, while Gershwin's Piano Concerto in F is propelled by the urban energy of New York's jazz clubs. The music of Puerto Rican-born Roberto Sierra is known for its rhythmic propulsion and danceable melodies. Experience the Philadelphia premiere of his Sinfonia No.

As America elects its president, celebrate our democracy with composers whose music is as varied as the American landscape. Copland's Appalachian Spring portrays the American countryside with brilliant simplicity, while Gershwin's Piano Concerto in F is propelled by the urban energy of New York's jazz clubs. The music of Puerto Rican-born Roberto Sierra is known for its rhythmic propulsion and danceable melodies. Experience the Philadelphia premiere of his Sinfonia No.

Inspired by Stokowski's original program of December 1935, when The Philadelphia Orchestra presented the U.S. premiere of Poulenc's Double Piano Concerto, Emmanuel Krivine presents a pairing of repertoire drawn directly from the archives. Recent graduates of the Curtis Institute of Music, twins Christina and Michelle Naughton play the Concerto with a unity of sound that astonishes. Franck's D minor Symphony and Stokowski's orchestration of Bach's Toccata and Fugue in D minor are trademarks of the "Philadelphia Sound."

Inspired by Stokowski's original program of December 1935, when The Philadelphia Orchestra presented the U.S. premiere of Poulenc's Double Piano Concerto, Emmanuel Krivine presents a pairing of repertoire drawn directly from the archives. Recent graduates of the Curtis Institute of Music, twins Christina and Michelle Naughton play the Concerto with a unity of sound that astonishes. Franck's D minor Symphony and Stokowski's orchestration of Bach's Toccata and Fugue in D minor are trademarks of the "Philadelphia Sound."

Inspired by Stokowski's original program of December 1935, when The Philadelphia Orchestra presented the U.S. premiere of Poulenc's Double Piano Concerto, Emmanuel Krivine presents a pairing of repertoire drawn directly from the archives. Recent graduates of the Curtis Institute of Music, twins Christina and Michelle Naughton play the Concerto with a unity of sound that astonishes. Franck's D minor Symphony and Stokowski's orchestration of Bach's Toccata and Fugue in D minor are trademarks of the "Philadelphia Sound."

Prokofiev's overpowering score for large orchestra, chorus, and mezzo-soprano soloist is accompanied by Sergei Eisenstein's cinematic masterpiece. Sergei Eisenstein filmed this black-and-white masterpiece under the watchful eye of Stalin's reign. It portrays a proud event in Russian history: Nevsky's 13th-century victory over an invading army of Teutonic Crusaders.

Prokofiev's overpowering score for large orchestra, chorus, and mezzo-soprano soloist is accompanied by Sergei Eisenstein's cinematic masterpiece. Sergei Eisenstein filmed this black-and-white masterpiece under the watchful eye of Stalin's reign. It portrays a proud event in Russian history: Nevsky's 13th-century victory over an invading army of Teutonic Crusaders.

Prokofiev's overpowering score for large orchestra, chorus, and mezzo-soprano soloist is accompanied by Sergei Eisenstein's cinematic masterpiece. Sergei Eisenstein filmed this black-and-white masterpiece under the watchful eye of Stalin's reign. It portrays a proud event in Russian history: Nevsky's 13th-century victory over an invading army of Teutonic Crusaders.

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston.

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines. Through a wide range of ensembles and musical styles, encounter the Orchestra’s musicians as individuals, with their unique talents and musical personalities.

Take a musical journey from French Impressionism to jazz. Debussy's Images contains some of his boldest writing. The charming suite from Poulenc's ballet Les Biches, originally composed for the Ballets Russes, is filled with humorous, syncopated melodies. In An American in Paris, Gershwin vividly depicts taxi horns, smoky cafés, and falling in love in the City of Light.

Take a musical journey from French Impressionism to jazz. Debussy's Images contains some of his boldest writing. The charming suite from Poulenc's ballet Les Biches, originally composed for the Ballets Russes, is filled with humorous, syncopated melodies. In An American in Paris, Gershwin vividly depicts taxi horns, smoky cafés, and falling in love in the City of Light.

Take a musical journey from French Impressionism to jazz. Debussy's Images contains some of his boldest writing. The charming suite from Poulenc's ballet Les Biches, originally composed for the Ballets Russes, is filled with humorous, syncopated melodies. In An American in Paris, Gershwin vividly depicts taxi horns, smoky cafés, and falling in love in the City of Light.

Stokowski regularly performed entire evenings of Wagner's music with The Philadelphia Orchestra. On the bicentennial of Wagner's birth, Donald Runnicles, one of the world's leading Wagnerian specialists, presents orchestral highlights from the Ring of the Nibelung in the spirit of Stokowski. Beethoven's Piano Concerto No. 1 is a showcase for the brilliant and tempestuous composer's piano virtuosity.

Stokowski regularly performed entire evenings of Wagner's music with The Philadelphia Orchestra. On the bicentennial of Wagner's birth, Donald Runnicles, one of the world's leading Wagnerian specialists, presents orchestral highlights from the Ring of the Nibelung in the spirit of Stokowski. Beethoven's Piano Concerto No. 1 is a showcase for the brilliant and tempestuous composer's piano virtuosity.

Stokowski regularly performed entire evenings of Wagner's music with The Philadelphia Orchestra. On the bicentennial of Wagner's birth, Donald Runnicles, one of the world's leading Wagnerian specialists, presents orchestral highlights from the Ring of the Nibelung in the spirit of Stokowski. Beethoven's Piano Concerto No. 1 is a showcase for the brilliant and tempestuous composer's piano virtuosity.

Deck the halls and come-a-caroling with The Philadelphia Orchestra for a festive celebration filled with your favorite sounds of the season, sing-alongs, and of course, Santa!

Rachmaninoff said that he would "rather perform with The Philadelphia Orchestra than any other of the world." A relationship fostered by Stokowski, Rachmaninoff maintained a long-term connection to Philadelphia, appearing as both soloist and conductor. He even recorded the beloved Third Piano Concerto with the Orchestra in 1939. His Symphony No. 2, perhaps his greatest work, is filled with longing melodies and sweeping solos that highlight the amazing musicians of our Orchestra. These performances are supported by the Sergei Rachmaninoff Foundation.

Rachmaninoff said that he would "rather perform with The Philadelphia Orchestra than any other of the world." A relationship fostered by Stokowski, Rachmaninoff maintained a long-term connection to Philadelphia, appearing as both soloist and conductor. He even recorded the beloved Third Piano Concerto with the Orchestra in 1939. His Symphony No. 2, perhaps his greatest work, is filled with longing melodies and sweeping solos that highlight the amazing musicians of our Orchestra. These performances are supported by the Sergei Rachmaninoff Foundation.

Rachmaninoff said that he would "rather perform with The Philadelphia Orchestra than any other of the world." A relationship fostered by Stokowski, Rachmaninoff maintained a long-term connection to Philadelphia, appearing as both soloist and conductor. He even recorded the beloved Third Piano Concerto with the Orchestra in 1939. His Symphony No. 2, perhaps his greatest work, is filled with longing melodies and sweeping solos that highlight the amazing musicians of our Orchestra. These performances are supported by the Sergei Rachmaninoff Foundation.

Tchaikovsky wrote seven symphonies, but the Third is an-often neglected masterpiece. It gets its nickname, the "Polish," from the energetic folk dances of the finale. Recent MacArthur Genius Grant recipient Alisa Weilerstein is featured as soloist in Elgar's noble Cello Concerto.

Tchaikovsky wrote seven symphonies, but the Third is an-often neglected masterpiece. It gets its nickname, the "Polish," from the energetic folk dances of the finale. Recent MacArthur Genius Grant recipient Alisa Weilerstein is featured as soloist in Elgar's noble Cello Concerto.

Tchaikovsky wrote seven symphonies, but the Third is an-often neglected masterpiece. It gets its nickname, the "Polish," from the energetic folk dances of the finale. Recent MacArthur Genius Grant recipient Alisa Weilerstein is featured as soloist in Elgar's noble Cello Concerto.

Named for the Orchestra’s best-selling Christmas album, these concerts are an ideal way to begin your celebrations on a joyous note!

Named for the Orchestra’s best-selling Christmas album, these concerts are an ideal way to begin your celebrations on a joyous note! The Orchestra lends its lush “Philadelphia Sound” to an evening of timeless holiday favorites.

Named for the Orchestra’s best-selling Christmas album, these concerts are an ideal way to begin your celebrations on a joyous note! The Orchestra lends its lush “Philadelphia Sound” to an evening of timeless holiday favorites.

A Philadelphia Orchestra tradition since 1961, this concert has become as much a part of the season as the movie classic It's a Wonderful Life. This performance sells out year after year, so order your tickets for this annual event today!

Ring in the New Year with The Philadelphia Orchestra! Start your evening with a festive concert which ends in time for you to continue on with your own celebrations.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston.

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

It is The Philadelphia Orchestra as you rarely hear it, our virtuosic musicians coming together as an ensemble to shape a musical interpretation that is all their own.

It's The Philadelphia Orchestra as you rarely hear it, our virtuosic musicians coming together as an ensemble to shape a musical interpretation that is all their own. Concertmaster David Kim leads Mozart's A Little Night Music from his seat at the front of the violin section as it would have been done in Mozart's time, without a conductor. The frenetic beginning of Symphony No. 25 was chosen to open the memorable film Amadeus.

It's The Philadelphia Orchestra as you rarely hear it, our virtuosic musicians coming together as an ensemble to shape a musical interpretation that is all their own. Concertmaster David Kim leads Mozart's A Little Night Music from his seat at the front of the violin section as it would have been done in Mozart's time, without a conductor. The frenetic beginning of Symphony No. 25 was chosen to open the memorable film Amadeus.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines.

La Valse is one of the greatest orchestral showpieces ever written. A master of orchestration, Ravel begins with an innocent waltz that builds to a raucous climax, only to come crashing down at the end in spectacular fashion. Shostakovich, equally brilliant in his use of the orchestra, composed some of his most profound - and politically subversive - music in his Fifth Symphony.

La Valse is one of the greatest orchestral showpieces ever written. A master of orchestration, Ravel begins with an innocent waltz that builds to a raucous climax, only to come crashing down at the end in spectacular fashion. Shostakovich, equally brilliant in his use of the orchestra, composed some of his most profound - and politically subversive - music in his Fifth Symphony.

La Valse is one of the greatest orchestral showpieces ever written. A master of orchestration, Ravel begins with an innocent waltz that builds to a raucous climax, only to come crashing down at the end in spectacular fashion. Shostakovich, equally brilliant in his use of the orchestra, composed some of his most profound - and politically subversive - music in his Fifth Symphony.

Yannick's recordings of Bruckner are hailed by critics. Our new maestro believes the great Philadelphia Sound is perfectly suited for Bruckner's rich, bold orchestrations. Yannick considers Bruckner to be one of his favorite composers and in his first season as music director, he imparts his own passionate conviction about this great Viennese master. Bruckner himself was deeply influenced by Wagner, especially after attending a performance of Wagner's opera Parsifal.

Yannick's recordings of Bruckner are hailed by critics. Our new maestro believes the great Philadelphia Sound is perfectly suited for Bruckner's rich, bold orchestrations. Yannick considers Bruckner to be one of his favorite composers and in his first season as music director, he imparts his own passionate conviction about this great Viennese master. Bruckner himself was deeply influenced by Wagner, especially after attending a performance of Wagner's opera Parsifal.

Few pieces in the history of the art of music have achieved the iconic power and reputation of Beethoven's Fifth Symphony.

Philadelphia favorite André Watts returns to Philadelphia, joining forces with the revered Maestro Frühbeck performing Beethoven's grandest piano concerto, the "Emperor." Liszt, a super-star pianist in his own right, also composed brilliant tone poems such as Les Préludes. And Hindemith further stretches the demands of the orchestra in his compelling Concert Music for Strings and Brass. This program also features another charming orchestration by Stokowski of Bach's "Sleepers Awake."

Philadelphia favorite André Watts returns to Philadelphia, joining forces with the revered Maestro Frühbeck performing Beethoven's grandest piano concerto, the "Emperor." Liszt, a super-star pianist in his own right, also composed brilliant tone poems such as Les Préludes. And Hindemith further stretches the demands of the orchestra in his compelling Concert Music for Strings and Brass. This program also features another charming orchestration by Stokowski of Bach's "Sleepers Awake."

Orff's raucous retelling of 24 medieval poems praises springtime, love, lust, and fortune. It requires a huge orchestra and a chorus singing a mix of old languages. The riveting choral refrains of "O Fortuna" open and close Carmina burana. While many sections of this iconic work have been re-used in movies and commercials, nothing equals the power when you hear this live, in its entirety.

Orff's raucous retelling of 24 medieval poems praises springtime, love, lust, and fortune. It requires a huge orchestra and a chorus singing a mix of old languages. The riveting choral refrains of "O Fortuna" open and close Carmina burana. While many sections of this iconic work have been re-used in movies and commercials, nothing equals the power when you hear this live, in its entirety.

Orff's raucous retelling of 24 medieval poems praises springtime, love, lust, and fortune. It requires a huge orchestra and a chorus singing a mix of old languages. The riveting choral refrains of "O Fortuna" open and close Carmina burana. While many sections of this iconic work have been re-used in movies and commercials, nothing equals the power when you hear this live, in its entirety.

Come one, come all, to our musical zoo. Hear the sounds all around; it’s a neat thing to do! Come hear our great music, and come hear our rhymes. At our carnival of fun, it’s the grandest of times!

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines.

Stravinsky's Rite of Spring received its U.S. premieres in both staged and concert versions right here in Philadelphia, under Stokowski's direction. Now, in a first-of-its-kind partnership with Philadelphia Live Arts, The Philadelphia Orchestra collaborates with the New York-based Ridge Theater Company to present a 21st- century treatment of The Rite of Spring with dancers, video projection, and theatrical lighting. Philadelphia also gave the first American performances of Ravel's Piano Concerto in G, which will be performed by star soloist Jean-Yves Thibaudet.

Stravinsky's Rite of Spring received its U.S. premieres in both staged and concert versions right here in Philadelphia, under Stokowski's direction. Now, in a first-of-its-kind partnership with Philadelphia Live Arts, The Philadelphia Orchestra collaborates with the New York-based Ridge Theater Company to present a 21st- century treatment of The Rite of Spring with dancers, video projection, and theatrical lighting. Philadelphia also gave the first American performances of Ravel's Piano Concerto in G, which will be performed by star soloist Jean-Yves Thibaudet.

Stravinsky's Rite of Spring received its U.S. premieres in both staged and concert versions right here in Philadelphia, under Stokowski's direction. Now, in a first-of-its-kind partnership with Philadelphia Live Arts, The Philadelphia Orchestra collaborates with the New York-based Ridge Theater Company to present a 21st- century treatment of The Rite of Spring with dancers, video projection, and theatrical lighting. Philadelphia also gave the first American performances of Ravel's Piano Concerto in G, which will be performed by star soloist Jean-Yves Thibaudet.

Composed for the Ballets Russes, Stravinsky's Rite of Spring remains one of the most powerful, unique, and challenging orchestral pieces ever written. Here, the work will be performed in the concert version without any additional visual elements.

The enigma of Shostakovich's message will unfold before your eyes in this dramatic presentation of the composer's life and world.

Beethoven is able to make the most profound statements by taking the simplest gestures and motifs, and expanding them into grand symphonies. His Eroica Symphony was originally dedicated to Napoleon, but perhaps the real hero of this symphony is the composer himself. Beethoven was a revolutionary of his time and continues to influence music being written today. Mozart was equally progressive, especially in his Piano Concerto No. 20 which was unusual for its bold, syncopated rhythms and chromatic melodies.

Beethoven is able to make the most profound statements by taking the simplest gestures and motifs, and expanding them into grand symphonies. His Eroica Symphony was originally dedicated to Napoleon, but perhaps the real hero of this symphony is the composer himself. Beethoven was a revolutionary of his time and continues to influence music being written today. Mozart was equally progressive, especially in his Piano Concerto No. 20 which was unusual for its bold, syncopated rhythms and chromatic melodies.

Beethoven is able to make the most profound statements by taking the simplest gestures and motifs, and expanding them into grand symphonies. His Eroica Symphony was originally dedicated to Napoleon, but perhaps the real hero of this symphony is the composer himself. Beethoven was a revolutionary of his time and continues to influence music being written today. Mozart was equally progressive, especially in his Piano Concerto No. 20 which was unusual for its bold, syncopated rhythms and chromatic melodies.

Nurture your child’s passion for music!

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Venerated conductor Christoph von Dohnanyi leads an all-Austrian program of two Viennese masters - Schubert and Bruckner. Schubert's beloved "Unfinished" Symphony has taken a rightful place among the standards of the repertoire, even if we may never understand why he abandoned the work after just two enduring movements. Bruckner's Fourth Symphony was his first great symphonic success, yet he never seemed to be satisfied either, continuing to improve and tinker with the final score. The result is a breathtaking work that inspires audiences every time it's performed.

Venerated conductor Christoph von Dohnanyi leads an all-Austrian program of two Viennese masters - Schubert and Bruckner. Schubert's beloved "Unfinished" Symphony has taken a rightful place among the standards of the repertoire, even if we may never understand why he abandoned the work after just two enduring movements. Bruckner's Fourth Symphony was his first great symphonic success, yet he never seemed to be satisfied either, continuing to improve and tinker with the final score. The result is a breathtaking work that inspires audiences every time it's performed.

Venerated conductor Christoph von Dohnanyi leads an all-Austrian program of two Viennese masters - Schubert and Bruckner. Schubert's beloved "Unfinished" Symphony has taken a rightful place among the standards of the repertoire, even if we may never understand why he abandoned the work after just two enduring movements. Bruckner's Fourth Symphony was his first great symphonic success, yet he never seemed to be satisfied either, continuing to improve and tinker with the final score. The result is a breathtaking work that inspires audiences every time it's performed.

The program opens with the imperial "Entrance of the Gods" from Das Rheingold at the very beginning of the Ring. Then, skipping past 16 hours of Wagner's music, American composer Christopher Rouse imagines a postlude to the Ring and uses the final chords of Götterdämmerung as the opening of his percussion concerto. A 1997 co-commission by The Philadelphia Orchestra, Der gerettete Alberich (Alberich Saved) is brought back this season in honor of the Wagner bi-centennial.

The program opens with the imperial "Entrance of the Gods" from Das Rheingold at the very beginning of the Ring. Then, skipping past 16 hours of Wagner's music, American composer Christopher Rouse imagines a postlude to the Ring and uses the final chords of Götterdämmerung as the opening of his percussion concerto. A 1997 co-commission by The Philadelphia Orchestra, Der gerettete Alberich (Alberich Saved) is brought back this season in honor of the Wagner bi-centennial.

The program opens with the imperial "Entrance of the Gods" from Das Rheingold at the very beginning of the Ring. Then, skipping past 16 hours of Wagner's music, American composer Christopher Rouse imagines a postlude to the Ring and uses the final chords of Götterdämmerung as the opening of his percussion concerto. A 1997 co-commission by The Philadelphia Orchestra, Der gerettete Alberich (Alberich Saved) is brought back this season in honor of the Wagner bi-centennial.

Let the rhythm move you as percussion takes center stage with the energy and excitement of world-renowned soloist Colin Currie and the West African musical traditions of the Bernard Woma Ensemble.

Originally premiered on Good Friday in 1727, Bach's setting of the Gospel of St. Matthew features solo voices, children's choir, double choir, and a double orchestra. Yannick re-introduces this passion oratorio--not performed by the Orchestra in nearly 30 years--over the Easter weekend.

Originally premiered on Good Friday in 1727, Bach's setting of the Gospel of St. Matthew features solo voices, children's choir, double choir, and a double orchestra. Yannick re-introduces this passion oratorio--not performed by the Orchestra in nearly 30 years--over the Easter weekend.

Garrick Ohlsson's powerful yet graceful style is the perfect match for Brahms's First Piano Concerto. With the endearing melodies and waltzes from his opera Der Rosenkavalier Richard Strauss elicits exceptionally powerful sounds from the orchestra.

Garrick Ohlsson's powerful yet graceful style is the perfect match for Brahms's First Piano Concerto. With the endearing melodies and waltzes from his opera Der Rosenkavalier Richard Strauss elicits exceptionally powerful sounds from the orchestra.

Garrick Ohlsson's powerful yet graceful style is the perfect match for Brahms's First Piano Concerto. With the endearing melodies and waltzes from his opera Der Rosenkavalier Richard Strauss elicits exceptionally powerful sounds from the orchestra.

Nurture your child’s passion for music!

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

In 1936, after nearly 20 years in the West, Prokofiev returned to his native Russia, now the Soviet Union, where he found it more difficult than he had thought to write music to please the Communist authorities.

The premiere of Prokofiev's Fifth Symphony was the pinnacle of his career. Composed in the final days of World War II, the symphony is marked by the optimism of impending victory. While Prokofiev's Symphony is firmly rooted in a Russian style, Tchaikovsky's Souvenir de Florence is inspired by his infatuation with the sights and sounds of Italy. This work, originally scored for string sextet, will be performed in an expanded version for the full strings of The Philadelphia Orchestra.

The premiere of Prokofiev's Fifth Symphony was the pinnacle of his career. Composed in the final days of World War II, the symphony is marked by the optimism of impending victory. While Prokofiev's Symphony is firmly rooted in a Russian style, Tchaikovsky's Souvenir de Florence is inspired by his infatuation with the sights and sounds of Italy. This work, originally scored for string sextet, will be performed in an expanded version for the full strings of The Philadelphia Orchestra.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines.

The Brandenburg Concertos of Bach are the flagship works of the Baroque era. Virtuosic soloists from The Philadelphia Orchestra will be featured in four of these sparkling and propulsive works. The performance is further enhanced by Baroque specialist Nicholas McGegan who brings a fresh and animated approach to these familiar masterworks. Even the famous "Air on the G String" from Bach's Third Orchestral Suite will sound like never before.

The Brandenburg Concertos of Bach are the flagship works of the Baroque era. Virtuosic soloists from The Philadelphia Orchestra will be featured in four of these sparkling and propulsive works. The performance is further enhanced by Baroque specialist Nicholas McGegan who brings a fresh and animated approach to these familiar masterworks. Even the famous "Air on the G String" from Bach's Third Orchestral Suite will sound like never before.

The Brandenburg Concertos of Bach are the flagship works of the Baroque era. Virtuosic soloists from The Philadelphia Orchestra will be featured in four of these sparkling and propulsive works. The performance is further enhanced by Baroque specialist Nicholas McGegan who brings a fresh and animated approach to these familiar masterworks. Even the famous "Air on the G String" from Bach's Third Orchestral Suite will sound like never before.

The Philadelphia Orchestra celebrates Vivaldi, Venice, and violins in this compelling mystery.

While Brahms struggled over his First Symphony for nearly two decades, he composed his radiant second symphony in a burst of creativity over a few short months. It's pastoral qualities were inspired by the bucolic setting where he wrote this score in the summer of 1877. Conversely, Elgar's spirited Cockaigne Overture, "In London Town" draws its character from the urban sounds of marching bands, church bells and drunken revelers. Curtis graduate Jonathan Biss returns to perform Mozart's rarely-heard Piano Concerto No. 13.

While Brahms struggled over his First Symphony for nearly two decades, he composed his radiant second symphony in a burst of creativity over a few short months. It's pastoral qualities were inspired by the bucolic setting where he wrote this score in the summer of 1877. Conversely, Elgar's spirited Cockaigne Overture, "In London Town" draws its character from the urban sounds of marching bands, church bells and drunken revelers. Curtis graduate Jonathan Biss returns to perform Mozart's rarely-heard Piano Concerto No. 13.

While Brahms struggled over his First Symphony for nearly two decades, he composed his radiant second symphony in a burst of creativity over a few short months. It's pastoral qualities were inspired by the bucolic setting where he wrote this score in the summer of 1877. Conversely, Elgar's spirited Cockaigne Overture, "In London Town" draws its character from the urban sounds of marching bands, church bells and drunken revelers. Curtis graduate Jonathan Biss returns to perform Mozart's rarely-heard Piano Concerto No. 13.

Hilary Hahn returns to Philadelphia for Korngold's Violin Concerto. This colorful and cinematic score stemmed from his success in Hollywood writing many treasured film soundtracks. Trademark fanfares, folk melodies, and thunderous crescendos punctuate Mahler's first symphony, along with humorous folk tunes and inventive orchestrations. Plus a chance to hear a rarely-heard and vibrant work by another 20th century master, Strauss's Love Scene from his opera Feuersnot.

Hilary Hahn returns to Philadelphia for Korngold's Violin Concerto. This colorful and cinematic score stemmed from his success in Hollywood writing many treasured film soundtracks. Trademark fanfares, folk melodies, and thunderous crescendos punctuate Mahler's first symphony, along with humorous folk tunes and inventive orchestrations. Plus a chance to hear a rarely-heard and vibrant work by another 20th century master, Strauss's Love Scene from his opera Feuersnot.

Hilary Hahn returns to Philadelphia for Korngold's Violin Concerto. This colorful and cinematic score stemmed from his success in Hollywood writing many treasured film soundtracks. Trademark fanfares, folk melodies, and thunderous crescendos punctuate Mahler's first symphony, along with humorous folk tunes and inventive orchestrations. Plus a chance to hear a rarely-heard and vibrant work by another 20th century master, Strauss's Love Scene from his opera Feuersnot.

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston.

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Nurture your child’s passion for music! Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

The Orchestra enjoys a historic connection with the great Finnish master Jean Sibelius--Stokowski led the U.S. premieres of his last three symphonies. Rattle conducts the final two, together without interruption. Musical mega-star and Curtis graduate Lang Lang performs Beethoven's Third Piano Concerto, a revolutionary work that foreshadowed the Romantic era in music. Plus a kinetic work by young American composer Andrew Norman. The title "Unstuck" refers to the moment when he overcame writers block and began composing at a furious pace.

The Orchestra enjoys a historic connection with the great Finnish master Jean Sibelius--Stokowski led the U.S. premieres of his last three symphonies. Rattle conducts the final two, together without interruption. Musical mega-star and Curtis graduate Lang Lang performs Beethoven's Third Piano Concerto, a revolutionary work that foreshadowed the Romantic era in music. Plus a kinetic work by young American composer Andrew Norman. The title "Unstuck" refers to the moment when he overcame writers block and began composing at a furious pace.

Join members of the Orchestra and special guest artists in the intimate setting of Perelman Theater, where the virtuosity of each musician shines.

Featured in Disney's Fantasia, the "Pastoral" Symphony paints vivid scenes of gathering thunderstorms, wandering brooks, and breezy countrysides.

Featured in Disney's Fantasia, the "Pastoral" Symphony paints vivid scenes of gathering thunderstorms, wandering brooks, and breezy country sides. Both Webern's Passacaglia and Berg's Wozzeck received their U.S. premieres in Philadelphia as part of Stokowski's vision for 20th-century music. Barbara Hannigan stuns audiences with her dramatic portrayal (and provocative costuming) in scenes from Ligeti's thrilling opera, Le Grande Macabre.

Featured in Disney's Fantasia, the "Pastoral" Symphony paints vivid scenes of gathering thunderstorms, wandering brooks, and breezy country sides. Both Webern's Passacaglia and Berg's Wozzeck received their U.S. premieres in Philadelphia as part of Stokowski's vision for 20th-century music. Barbara Hannigan stuns audiences with her dramatic portrayal (and provocative costuming) in scenes from Ligeti's thrilling opera, Le Grande Macabre.

The famous Violin Concerto of Brahms is performed by the incomparable Gil Shaham.

astern Europe comes alive in Janácek's Sinfonietta, a festive work with a stunning opening brass fanfare that includes 14 trumpets. A folk ethos likewise infuses the music of Dvorák; the latter credited Brahms with the success of his career, as the elder composer encouraged him greatly. The famous Violin Concerto of Brahms is performed by the incomparable Gil Shaham.

The Philadelphia Orchestra will honor its former music director and conductor laureate, Wolfgang Sawallisch–who passed away February 22, 2013 during these performances, which feature repertoire that reflects his indelible artistic imprint on the Orchestra.

Student Finalists selected from the 2012 Albert M. Greenfield Student Preliminary Auditions compete for the opportunity to perform as a soloist with The Philadelphia Orchestra during the 2012-13 season. These auditions will take place with the finalists performing on the stage of Verizon Hall in front of a live audience. The annual Philadelphia Orchestra Albert M. Greenfield Student Competition is open to all accomplished young instrumentalists, pianists, and vocalists, who reside in, or study regularly with a teacher who resides in the Greater Philadelphia area.

The concert will also include works from Lucia di Lammermoor, Manon Lescaut,, Cavalleria rusticana, and Adriana Lecouvreur.

Meet other music enthusiasts and mingle with Orchestra musicians at this special post-concert cocktail reception just for Young Friends!

Enjoy the artistic inspiration and talent of local student artists at this special art exhibit post-concert event for college students.

Concert tickets required for admission to exhibit. Non-student audience members are invited to browse the exhibit before the evening’s concert and during intermission.

Co-Chairs David Kim and Joe Clark And The Volunteer Committees of The Philadelphia Orchestra Present The 21st Annual Philadelphia Orchestra Golf Classic

After a wonderful day of golf you'll enjoy cocktails, hors d'oeuvres, and a full dinner. There will be a silent auction, tournament awards, and much more!

The evening will also include delightful entertainment performed by members of The Philadelphia Orchestra.

Celebrate the 50th anniversary of this iconic film, as The Philadelphia Orchestra plays Leonard Bernstein's electrifying score live while the re-mastered film is shown in hi-def on the big screen with the original vocals and dialog intact.

Celebrate the 50th anniversary of this iconic film, as The Philadelphia Orchestra plays Leonard Bernstein's electrifying score live while the re-mastered film is shown in hi-def on the big screen with the original vocals and dialog intact. Winner of ten Academy Awards®, the film, directed by Robert Wise and Jerome Robbins, features Robbins' choreography, screenplay by Ernest Lehman, book by Arthur Laurents and lyrics by Stephen Sondheim.

West Side Story© 1961 Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved. © A.M.P.A.S.

Celebrate the 50th anniversary of this iconic film, as The Philadelphia Orchestra plays Leonard Bernstein's electrifying score live while the re-mastered film is shown in hi-def on the big screen with the original vocals and dialog intact. Winner of ten Academy Awards®, the film, directed by Robert Wise and Jerome Robbins, features Robbins' choreography, screenplay by Ernest Lehman, book by Arthur Laurents and lyrics by Stephen Sondheim.

West Side Story© 1961 Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved. © A.M.P.A.S.

Ambassador Platt, who facilitated The Philadelphia Orchestra’s historic 1973 tour of China, will discuss U.S.-China cultural diplomacy and, in particular, the long-term relationship between The Philadelphia Orchestra and China. He will be accompanied by Herold Klein and Renard Edwards, two Philadelphia Orchestra musicians who performed on the historic tour.

Open to Coca-Cola employees and guests.

Philadelphia Orchestra chamber ensembles will present “impromptu” informal short performances at some of Beijing’s most historic sites to launch the Residency Week with the general public.

Open to the public.

Ambassador Nicholas Platt will host a discussion with Professor Yuan Ming, Professor of International Relations and Director, Institute of International Relations, Beijing University, about the importance of culture in Sino-U.S. relations over the decades.

Invited guests and invited media.

The launch of the Residency Week will include performances by chamber ensembles from The Philadelphia Orchestra and the National Centre for the Performing Arts Orchestra.

The NCPA will host an archival exhibition of photographs and videos that include U.S. President Richard Nixon’s 1972 visit to China and The Philadelphia Orchestra’s visit in 1973. The exhibit celebrates over 70 years of The Philadelphia Orchestra’s engagement with China, a relationship unmatched by any other American cultural organization.

By invitation only.

This prestigious and world-renowned brand partners with musicians of The Philadelphia Orchestra to demonstrate the creation of the “perfect harmony” that goes into blending one of the world’s greatest cognacs and creating the sound of one of the world’s greatest orchestras.

Open to Hennessy invited guests.

Open to National Centre for the Performing Arts Orchestra musicians, Central Conservatory of Music students, invited guests, and invited media.

Master classes and sectionals conducted by Philadelphia Orchestra musicians for musicians from the National Centre for the Performing Arts Orchestra.

Open to invited guests and invited media.

Open to the public.

In honor of China’s National Children’s Day, this concert rehearsal will be open to students from Middle School 101 and the Chinese Migrant Workers School.

Open to invited guests and invited media.

Musicians from The Philadelphia Orchestra will conduct sectionals and master classes with musicians from the NCPA Orchestra (or at Forbidden City Concert Hall for musicians of the Beijing Symphony Orchestra).

Open to invited guests and invited media.

This will be the world premiere performance of Niao Qing Si (An Interrupted Dream) by Du Wei, the winner of a Chinese nation-wide juried competition. The grand prize of this competition includes the world premiere performance of the winner’s piece by The Philadelphia Orchestra at this concert.

A concert by a chamber music ensemble from The Philadelphia Orchestra.

Open to the public.

Dignitaries and Philadelphia Orchestra veterans of the 1973 tour will revisit the site at which the historic 1973 photo was taken. A brass ensemble from the Orchestra will give a short performance.

Open to invited guests and invited media.

An educational concert by a chamber music ensemble from The Philadelphia Orchestra programmed for this special needs audience.

Open to invited guests and invited media.

Maestro Charles Dutoit conducts the National Centre for the Performing Arts Orchestra in a reading rehearsal.

Open to invited guests and invited media.

A concert by a chamber music ensemble from The Philadelphia Orchestra in celebration of the opening of a new exhibit, “Water Works,” by noted Chinese artist Yun-Fei Ji.

Open to the public and invited Sponsor guests.

This historic concert will include performances by members of The Philadelphia Orchestra and the National Centre for the Performing Arts Orchestra, and combined ensembles.

Open to the public.

Open to the public

A concert by a chamber music ensemble from The Philadelphia Orchestra programmed for a student/community audience.

This prestigious and world-renowned brand partners with musicians from The Philadelphia Orchestra to demonstrate the creation of the “perfect harmony” that goes into blending one of the world’s greatest cognacs and creating the sound of one of the world’s greatest orchestras.

Open to Hennessy invited guests.

Open to the public.

Official opening of joint-initiative by Philadelphia’s Drexel University and the Chinese Academy of Sciences.

Open to invited guests.

Open to the public.

Join us at Del Frisco’s for drinks and complimentary appetizers before heading over to the Academy for a dazzling multi-media concert experience that will transform this historic Philadelphia landmark in music and imagery.

The FREE Neighborhood Concert Series continues The Philadelphia Orchestra's commitment to celebrating the vitality of neighborhoods throughout the Philadelphia region.

The FREE Neighborhood Concert Series continues The Philadelphia Orchestra's commitment to celebrating the vitality of neighborhoods throughout the Philadelphia region.

Join Friends’ Circle members and above watch a working session of the Orchestra with Maestro Giancarlo Guerrero and esteemed guest artist Kirill Gerstein rehearse the following pieces.

Barber Medea’s Dance of Vengeance
Gershwin Piano Concerto in F
Copland Appalachian Spring
Sierra Sinfonia No. 4

Open Rehearsals are an Annual Fund membership benefit. To join or renew, make your donation today.

Learn More about The Annual Fund

Join Friends’ Circle members and above watch a working session of the Orchestra with Maestro Gianandrea Noseda and esteemed guest artist Alisa Weilerstein rehearse the following pieces.

Borodin Overture to Prince Igor
Elgar Cello Concerto
Tchaikovsky Symphony No. 3 (“Polish”)

Open Rehearsals are an Annual Fund membership benefit. To join or renew, make your donation today.

Learn More about The Annual Fund

Join Friends’ Circle members and above watch a working session of the Orchestra with Maestro Rafael Fr?hbeck de Burgos, esteemed guest artist David Bilger and The Philadelphia Singers Chorale rehearse the following pieces.

Haydn Symphony No. 1
Hummel Trumpet Concerto
Orff Carmina burana

Open Rehearsals are an Annual Fund membership benefit. To join or renew, make your donation today.

Learn More about The Annual Fund

Join Friends’ Circle members and above watch a working session of the Orchestra with Maestro Yannick Nézet-Séguin, esteemed guest artists Malin Christensson Soprano, Karen Cargill Mezzo-soprano, Andrew Staples Tenor, Andrew Foster-Williams Bass-baritone, Luca Pisaroni Bass-baritone, Westminster Symphonic Choir, and The American Boychoir rehearse the following piece.

Bach The Passion According to St. Matthew

Open Rehearsals are an Annual Fund membership benefit. To join or renew, make your donation today.

Join Friends’ Circle members and above watch a working session of the Orchestra with Maestro Donald Runnicles and esteemed guest artist Jonathan Biss rehearse the following pieces.

Elgar Cockaign Overture (“In London Town”)
Mozart Piano Concerto No. 13, K. 415
Brahms Symphony No. 2

Open Rehearsals are an Annual Fund membership benefit. To join or renew, make your donation today.

Learn More about The Annual Fund

A premier Market Place will feature gourmet delights, housewares and personal items for your shopping pleasure.

Please join us for this exciting signature fundraising event for The Philadelphia Orchestra. This self-guided tour will offer seven outstanding Main Line kitchens from Newtown Square to Villanova.

You’ll experience unique, innovative and beautiful designs showcasing the visions of some of the area's finest architects, kitchen designers, builders and specialty contractors.

Join Principal Player Circle members at a “Meet the Artist” Salon Series event with guest artists Christina and Michelle Naughton.

Salon Series events are an Annual Fund membership benefit. To join or renew, make your donation today.

Learn More about The Annual Fund

Join Principal Player Circle members at a “Meet the Artist” Salon Series event with guest artist Denis Matsuev.

Salon Series events are an Annual Fund membership benefit. To join or renew, make your donation today.

Learn More about The Annual Fund

Join Principal Player Circle members at a “Meet the Artist” Salon Series event with guest artist Colin Currie.

Salon Series events are an Annual Fund membership benefit. To join or renew, make your donation today.

Learn More about The Annual Fund

Join Principal Player Circle members at a “Meet the Artist” Salon Series event with guest conductor Sir Simon Rattle.

Salon Series events are an Annual Fund membership benefit. To join or renew, make your donation today.

Learn More about The Annual Fund

The Marian Anderson Award will be honoring the Tony, Grammy and Academy Award-winning actor James Earl Jones.

Yannick re-introduces this passion oratorio—not performed by the Orchestra in nearly 30 years—over the Easter weekend.

Musicians’ Circle donors and above can enjoy an exclusive pre-rehearsal breakfast and conversation with Maestro Jaap van Zweden prior to the rehearsal. Breakfast begins at 8:30 AM at the Kimmel Center in the Rendell Room (located on Tier 1) with rehearsal beginning promptly at 10:00 AM in Verizon Hall.

Maestro Jaap van Zweden and the Fabulous Philadelphians will rehearse the following pieces.

Tchaikovsky Souvenir de Florence, for string orchestra
Prokofiev Symphony No. 5

The Closed Rehearsal is an Annual Fund membership benefit. To join or renew, make your donation today.

Come and celebrate the life and work of Dr. Martin Luther King Jr. as newly-inaugurated Music Director Yannick Nézet-Séguin leads The Philadelphia Orchestra in a free community concert.

This special evening event includes cocktails, supper, musical presentations, and a one-of-a-kind silent and live auction where most of the items have been donated by Orchestra musicians.

The Philadelphia Orchestra heads to Florida under the baton of guest conductor Rafael Frühbeck de Burgos for a five-concert tour kicking off on Tuesday, February 5, 2013. The Orchestra’s week-long tour through the Sunshine State includes stops in West Palm Beach, Miami, Naples, and Sarasota and features virtuosic pianist and Philadelphia favorite André Watts as guest soloist. This tour marks The Philadelphia Orchestra’s 16th visit to Florida since its first trip to the state with Eugene Ormandy in 1939. The Orchestra’s last tour to Florida occurred in 2006.

The Philadelphia Orchestra heads to Florida under the baton of guest conductor Rafael Frühbeck de Burgos for a five-concert tour kicking off on Tuesday, February 5, 2013. The Orchestra’s week-long tour through the Sunshine State includes stops in West Palm Beach, Miami, Naples, and Sarasota and features virtuosic pianist and Philadelphia favorite André Watts as guest soloist. This tour marks The Philadelphia Orchestra’s 16th visit to Florida since its first trip to the state with Eugene Ormandy in 1939. The Orchestra’s last tour to Florida occurred in 2006.

The Philadelphia Orchestra heads to Florida under the baton of guest conductor Rafael Frühbeck de Burgos for a five-concert tour kicking off on Tuesday, February 5, 2013. The Orchestra’s week-long tour through the Sunshine State includes stops in West Palm Beach, Miami, Naples, and Sarasota and features virtuosic pianist and Philadelphia favorite André Watts as guest soloist. This tour marks The Philadelphia Orchestra’s 16th visit to Florida since its first trip to the state with Eugene Ormandy in 1939. The Orchestra’s last tour to Florida occurred in 2006.

The Philadelphia Orchestra heads to Florida under the baton of guest conductor Rafael Frühbeck de Burgos for a five-concert tour kicking off on Tuesday, February 5, 2013. The Orchestra’s week-long tour through the Sunshine State includes stops in West Palm Beach, Miami, Naples, and Sarasota and features virtuosic pianist and Philadelphia favorite André Watts as guest soloist. This tour marks The Philadelphia Orchestra’s 16th visit to Florida since its first trip to the state with Eugene Ormandy in 1939. The Orchestra’s last tour to Florida occurred in 2006.

The Philadelphia Orchestra heads to Florida under the baton of guest conductor Rafael Frühbeck de Burgos for a five-concert tour kicking off on Tuesday, February 5, 2013. The Orchestra’s week-long tour through the Sunshine State includes stops in West Palm Beach, Miami, Naples, and Sarasota and features virtuosic pianist and Philadelphia favorite André Watts as guest soloist. This tour marks The Philadelphia Orchestra’s 16th visit to Florida since its first trip to the state with Eugene Ormandy in 1939. The Orchestra’s last tour to Florida occurred in 2006.

The Ninth Symphony, with its universal message of freedom and brotherhood, is the crowning achievement of Beethoven’s revolutionary works. The famous “Ode to Joy” serves as a message of hope for all mankind.

The Ninth Symphony, with its universal message of freedom and brotherhood, is the crowning achievement of Beethoven’s revolutionary works. The famous “Ode to Joy” serves as a message of hope for
all mankind.

The Ninth Symphony, with its universal message of freedom and brotherhood, is the crowning achievement of Beethoven’s revolutionary works. The famous “Ode to Joy” serves as a message of hope fo rall mankind.

From the opening sleigh bells to the heavenly song of the final movement, Mahler’s Symphony No. 4 is a sunny and optimistic work, drawing balance and influence from the Classical era.

From the opening sleigh bells to the heavenly song of the final movement, Mahler’s Symphony No. 4 is a sunny and optimistic work, drawing much of its balance and influence from the Classical era. Benjamin Britten, born 100 years ago, also drew inspiration from an earlier period, using themes from 17th-century composer Henry Purcell in his orchestral showpiece Variations and Fugue on a Theme of Purcell.

From the opening sleigh bells to the heavenly song of the final movement, Mahler’s Symphony No. 4 is a sunny and optimistic work, drawing much of its balance and influence from the Classical era. Benjamin Britten, born 100 years ago, also drew inspiration from an earlier period, using themes from 17th-century composer Henry Purcell in his orchestral showpiece Variations and Fugue on a Theme of Purcell.

Yefim Bronfman is one of the greatest living pianists, known for his unique blend of power, virtuosity, and grace.

Yefim Bronfman is one of the greatest living pianists, known for his unique blend of power, virtuosity, and grace. Beethoven’s Piano Concerto No. 4, with its delicate solo opening bars and fiery conclusion, is the ideal vehicle to showcase his talents. Shostakovich’s Symphony No. 11 of 1957 was, on the surface, composed to appease Soviet bureaucrats and was a tribute to the tragic events of the failed 1905 Russian Revolution. But like Shostakovich’s Fifth and Tenth symphonies, it contains deeper political commentary on Soviet rule, namely the 1956 Hungarian uprising.

Yefim Bronfman is one of the greatest living pianists, known for his unique blend of power, virtuosity, and grace. Beethoven’s Piano Concerto No. 4, with its delicate solo opening bars and fiery conclusion, is the ideal vehicle to showcase his talents. Shostakovich’s Symphony No. 11 of 1957 was, on the surface, composed to appease Soviet bureaucrats and was a tribute to the tragic events of the failed 1905 Russian Revolution. But like Shostakovich’s Fifth and Tenth symphonies, it contains deeper political commentary on Soviet rule, namely the 1956 Hungarian uprising.

This program kicks off a two-week residency, with perennial audience favorite Rafael Frühbeck de Burgos, the second of which includes his 150th performance with the Orchestra in Philadelphia.

Perennial audience favorite Rafael Frühbeck de Burgos made his Philadelphia Orchestra (and United States) debut in 1969. This program kicks off a two-week residency, the second of which includes his 150th performance with the Orchestra in Philadelphia. Each season Maestro Frühbeck brings programs that delight and inspire the most exceptional music-making from our Fabulous Philadelphians. This program builds to a boisterous close with Respighi’s epic tone poem The Pines of Rome.

Perennial audience favorite Rafael Frühbeck de Burgos made his Philadelphia Orchestra (and United States) debut in 1969. This program kicks off a two-week residency, the second of which includes his 150th performance with the Orchestra in Philadelphia. Each season Maestro Frühbeck brings programs that delight and inspire the most exceptional music-making from our Fabulous Philadelphians. This program builds to a boisterous close with Respighi’s epic tone poem The Pines of Rome.

A French evening of exotic, colorful music complete with a trip to Spain and a visit to the land of Greek mythology.

A French evening of exotic, colorful music complete with a trip to Spain and a visit to the land of Greek mythology. Ravel’s Second Suite from his ballet Daphnis and Chloé is another great orchestral showpiece that includes the energetic General Dance as a rowdy fi nale. Debussy paints colorful images of a musical seascape in his most-famous work, La Mer. German violinist Augustin Hadelich makes his Orchestra debut performing Lalo’s exuberant Symphonie espagnole.

A French evening of exotic, colorful music complete with a trip to Spain and a visit to the land of Greek mythology. Ravel’s Second Suite from his ballet Daphnis and Chloé is another great orchestral showpiece that includes the energetic General Dance as a rowdy fi nale. Debussy paints colorful images of a musical seascape in his most-famous work, La Mer. German violinist Augustin Hadelich makes his Orchestra debut performing Lalo’s exuberant Symphonie espagnole.

Composers have been so drawn to the lush beauty and unmatched virtuosity of the “Philadelphia Sound” that works have been written specifically for our ensemble and its principal players.

Rachmaninoff dedicated the Symphonic Dances, his final composition, to this Orchestra in 1940. It has gone on to be one of the most cherished works of the 20th century. Likewise, this season embarks on a multi-year project to premiere solo works with our principal players, crafted by the leading composers of today.

Composers have been so drawn to the lush beauty and unmatched virtuosity of the “Philadelphia Sound” that works have been written specifically for our ensemble and its principal players.

Rachmaninoff dedicated the Symphonic Dances, his final composition, to this Orchestra in 1940. It has gone on to be one of the most cherished works of the 20th century. Likewise, this season embarks on a multi-year project to premiere solo works with our principal players, crafted by the leading composers of today.

Composers have been so drawn to the lush beauty and unmatched virtuosity of the “Philadelphia Sound” that works have been written specifically for our ensemble and its principal players.

Rachmaninoff dedicated the Symphonic Dances, his final composition, to this Orchestra in 1940. It has gone on to be one of the most cherished works of the 20th century. Likewise, this season embarks on a multi-year project to premiere solo works with our principal players, crafted by the leading composers of today.

Strauss’s Ein Heldenleben (A Hero’s Life) is an autobiographical work in which the story’s hero is actually a reflection of the composer himself. This noble and majestic tone poem depicts a hero in victorious battle along with humorous musical depictions of Strauss’s critics. In contrast to this more mature and self-reflective work, the Serenade for Winds is a lively piece Strauss wrote as a teenage student in Munich.

Strauss’s Ein Heldenleben (A Hero’s Life) is an autobiographical work in which the story’s hero is actually a reflection of the composer himself. This noble and majestic tone poem depicts a hero in victorious battle along with humorous musical depictions of Strauss’s critics. In contrast to this more mature and self-reflective work, the Serenade for Winds is a lively piece Strauss wrote as a teenage student in Munich.

Strauss’s Ein Heldenleben (A Hero’s Life) is an autobiographical work in which the story’s hero is actually a reflection of the composer himself. This noble and majestic tone poem depicts a hero in victorious battle along with humorous musical depictions of Strauss’s critics. In contrast to this more mature and self-reflective work, the Serenade for Winds is a lively piece Strauss wrote as a teenage student in Munich.

Austrian conductor Manfred Honeck, Music Director of The Pittsburgh Symphony, makes his Philadelphia Orchestra debut. The program features works by composers who were influenced by the music and spirit of
foreign culture. Written during the Czech composer’s three-year stay in the U.S., Dvo?ak’s “New World” Symphony contains many influences of American folk music, spirituals, and landscapes. But it also contains a touch of nostalgia for his Czech homeland. His most popular symphony, its lush melodies and majestic conclusion have made it one of the most beloved works in the repertoire.

Austrian conductor Manfred Honeck, Music Director of The Pittsburgh Symphony, makes his Philadelphia Orchestra debut. The program features works by composers who were influenced by the music and spirit of
foreign culture. Written during the Czech composer’s three-year stay in the U.S., Dvo?ak’s “New World” Symphony contains many influences of American folk music, spirituals, and landscapes. But it also contains a touch of nostalgia for his Czech homeland. His most popular symphony, its lush melodies and majestic conclusion have made it one of the most beloved works in the repertoire.

Austrian conductor Manfred Honeck, Music Director of The Pittsburgh Symphony, makes his Philadelphia Orchestra debut. The program features works by composers who were influenced by the music and spirit of foreign culture. Written during the Czech composer’s three-year stay in the U.S., Dvo?ak’s “New World” Symphony contains many influences of American folk music, spirituals, and landscapes. But it also contains a touch of nostalgia for his Czech homeland. His most popular symphony, its lush melodies and majestic conclusion have made it one of the most beloved works in the repertoire.

An unparalleled career, appearances on the Ed Sullivan Show to the Colbert Report, Itzhak Perlman has been a cultural icon for more than half a century. He returns to Philadelphia as both conductor and violinist for the first time on subscription concerts. He leads Beethoven’s Two Romances for violin and orchestra as soloist, then conducts the great Philadelphia strings in Dvo?ak’s lyrical and sparkling Serenade for Strings. Beethoven’s masterful Second Symphony and the Brahms Academic Festival Overture, complete with student songs, round out the program.

An unparalleled career, appearances on the Ed Sullivan Show to the Colbert Report, Itzhak Perlman has been a cultural icon for more than half a century. He returns to Philadelphia as both conductor and violinist for the first time on subscription concerts. He leads Beethoven’s Two Romances for violin and orchestra as soloist, then conducts the great Philadelphia strings in Dvo?ak’s lyrical and sparkling Serenade for Strings. Beethoven’s masterful Second Symphony and the Brahms Academic Festival Overture, complete with student songs, round out the program.

An unparalleled career, appearances on the Ed Sullivan Show to the Colbert Report, Itzhak Perlman has been a cultural icon for more than half a century. He returns to Philadelphia as both conductor and violinist for the first time on subscription concerts. He leads Beethoven’s Two Romances for violin and orchestra as soloist, then conducts the great Philadelphia strings in Dvo?ak’s lyrical and sparkling Serenade for Strings. Beethoven’s masterful Second Symphony and the Brahms Academic Festival Overture, complete with student songs, round out the program.

An unparalleled career, appearances on the Ed Sullivan Show to the Colbert Report, Itzhak Perlman has been a cultural icon for more than half a century. He returns to Philadelphia as both conductor and violinist for the first time on subscription concerts. He leads Beethoven’s Two Romances for violin and orchestra as soloist, then conducts the great Philadelphia strings in Dvo?ak’s lyrical and sparkling Serenade for Strings. Beethoven’s masterful Second Symphony and the Brahms Academic Festival Overture, complete with student songs, round out the program.

Vivaldi wrote over 500 concertos, but none more famous than his Four Seasons. His depictions of rustling leaves, barking dogs, shimmering snow, along with the rejuvenation of spring are still as vivid as they were nearly 300 years ago. Violinist Giuliano Carmignola joins early-music specialist Richard Egarr to present the music of 17th-century composer Henry Purcell in his adaptation of Shakespeare’s A Midsummer Night’s Dream. Haydn’s Symphony No. 101, one of his great “London” Symphonies, is nicknamed “The Clock” for the “ticking” rhythm of its second movement.

Vivaldi wrote over 500 concertos, but none more famous than his Four Seasons. His depictions of rustling leaves, barking dogs, shimmering snow, along with the rejuvenation of spring are still as vivid as they were nearly 300 years ago. Violinist Giuliano Carmignola joins early-music specialist Richard Egarr to present the music of 17th-century composer Henry Purcell in his adaptation of Shakespeare’s A Midsummer Night’s Dream. Haydn’s Symphony No. 101, one of his great “London” Symphonies, is nicknamed “The Clock” for the “ticking” rhythm of its second movement.

Two composers following in the shadow of Beethoven, each forging their own voice. Berlioz completed his revolutionary Symphonie fantastique just three years after the death of Beethoven. He used the orchestra in new and revolutionary ways to tell a semi-autobiographical story of obsessive love, hallucination, and death. Brahms, initially feeling intimidated by Beethoven, was for many years unable to complete a symphony of his own, focusing on composing serenades and piano concertos. His Second Piano Concerto is part symphony and part solo work for piano.

Two composers following in the shadow of Beethoven, each forging their own voice. Berlioz completed his revolutionary Symphonie fantastique just three years after the death of Beethoven. He used the orchestra in new and revolutionary ways to tell a semi-autobiographical story of obsessive love, hallucination, and death. Brahms, initially feeling intimidated by Beethoven, was for many years unable to complete a symphony of his own, focusing on composing serenades and piano concertos. His Second Piano Concerto is part symphony and part solo work for piano.

Two composers following in the shadow of Beethoven, each forging their own voice. Berlioz completed his revolutionary Symphonie fantastique just three years after the death of Beethoven. He used the orchestra in new and revolutionary ways to tell a semi-autobiographical story of obsessive love, hallucination, and death. Brahms, initially feeling intimidated by Beethoven, was for many years unable to complete a symphony of his own, focusing on composing serenades and piano concertos. His Second Piano Concerto is part symphony and part solo work for piano.

Spanish conductor and phenom Pablo Heras-Casado makes his Philadelphia Orchestra debut with a program of astonishing showpieces for the Orchestra and Concertmaster David Kim. These two delightful pieces by Tchaikovsky are personally meaningful to Kim, who was the only American awarded a prize at the 1986 quadrennial Tchaikovsky Competition in Moscow. Ravel’s glistening Rapsodie espagnole is infused with Latin rhythms and folksongs, reminiscent of the Spanish countryside.

Spanish conductor and phenom Pablo Heras-Casado makes his Philadelphia Orchestra debut with a program of astonishing showpieces for the Orchestra and Concertmaster David Kim. These two delightful pieces by Tchaikovsky are personally meaningful to Kim, who was the only American awarded a prize at the 1986 quadrennial Tchaikovsky Competition in Moscow. Ravel’s glistening Rapsodie espagnole is infused with Latin rhythms and folksongs, reminiscent of the Spanish countryside.

Spanish conductor and phenom Pablo Heras-Casado makes his Philadelphia Orchestra debut with a program of astonishing showpieces for the Orchestra and Concertmaster David Kim. These two delightful pieces by Tchaikovsky are personally meaningful to Kim, who was the only American awarded a prize at the 1986 quadrennial Tchaikovsky Competition in Moscow. Ravel’s glistening Rapsodie espagnole is infused with Latin rhythms and folksongs, reminiscent of the Spanish countryside.

British conductor Robin Ticciati returns to Philadelphia after a highly acclaimed debut in 2012. The worldly young maestro launches a celebration of Tchaikovsky’s immense musical impact on other composers of his time. Over the course of three weeks, the composer’s greatest symphonic works will be heard along with his Russian contemporaries. Tchaikovsky’s Symphony No. 4 opens with an ominous fanfare suggesting
the arrival of fate, taking us on an emotional journey toward an exhilarating affirmation of life’s many joys.

British conductor Robin Ticciati returns to Philadelphia after a highly acclaimed debut in 2012. The worldly young maestro launches a celebration of Tchaikovsky’s immense musical impact on other composers of his time. Over the course of three weeks, the composer’s greatest symphonic works will be heard along with his Russian contemporaries. Tchaikovsky’s Symphony No. 4 opens with an ominous fanfare suggesting
the arrival of fate, taking us on an emotional journey toward an exhilarating affirmation of life’s many joys.

British conductor Robin Ticciati returns to Philadelphia after a highly acclaimed debut in 2012. The worldly young maestro launches a celebration of Tchaikovsky’s immense musical impact on other composers of his time. Over the course of three weeks, the composer’s greatest symphonic works will be heard along with his Russian contemporaries. Tchaikovsky’s Symphony No. 4 opens with an ominous fanfare suggesting
the arrival of fate, taking us on an emotional journey toward an exhilarating affirmation of life’s many joys.

Philadelphia Orchestra Associate Conductor Cristian M?celaru makes his subscription debut, joined by Principal Cello Hai-Ye Ni. The great Rococo Variations are a showpiece for cello and orchestra. And in this season’s collection of serenades, Tchaikovsky’s expressive Serenade for Strings features that glorious sound of the Philadelphia strings. The Polovtsian Dances from Prince Igor by Borodin are both thunderous and sensuous, including a melody made famous by the popular Broadway song “Stranger in Paradise” from Kismet. Originally composed for solo piano.

Philadelphia Orchestra Associate Conductor Cristian M?celaru makes his subscription debut, joined by Principal Cello Hai-Ye Ni. The great Rococo Variations are a showpiece for cello and orchestra. And in this season’s collection of serenades, Tchaikovsky’s expressive Serenade for Strings features that glorious sound of the Philadelphia strings. The Polovtsian Dances from Prince Igor by Borodin are both thunderous and sensuous, including a melody made famous by the popular Broadway song “Stranger in Paradise” from Kismet. Originally composed for solo piano.

Philadelphia Orchestra Associate Conductor Cristian M?celaru makes his subscription debut, joined by Principal Cello Hai-Ye Ni. The great Rococo Variations are a showpiece for cello and orchestra. And in this season’s collection of serenades, Tchaikovsky’s expressive Serenade for Strings features that glorious sound of the Philadelphia strings. The Polovtsian Dances from Prince Igor by Borodin are both thunderous and sensuous, including a melody made famous by the popular Broadway song “Stranger in Paradise” from Kismet. Originally composed for solo piano.

Young Russian conductor Tugan Sokhiev makes his Philadelphia Orchestra debut in the third and final week of our Tchaikovsky Celebration. The Violin Concerto stands as one of the greatest works ever written for the instrument. An essential part of the violin repertoire, its Russian folk melodies and driving rhythms give this work a universal appeal. Musorgsky composed his Pictures from an Exhibition for solo piano. But it is Ravel’s orchestration that brings vivid color to the depictions of festive market scenes, hatching chicks, catacombs, and the mighty gates of Kiev.

Young Russian conductor Tugan Sokhiev makes his Philadelphia Orchestra debut in the third and final week of our Tchaikovsky Celebration. The Violin Concerto stands as one of the greatest works ever written for the instrument. An essential part of the violin repertoire, its Russian folk melodies and driving rhythms give this work a universal appeal. Musorgsky composed his Pictures from an Exhibition for solo piano. But it is Ravel’s orchestration that brings vivid color to the depictions of festive market scenes, hatching chicks, catacombs, and the mighty gates of Kiev.

This program featuring legendary Romanian pianist Radu Lupu is a journey to Eastern Europe—Hungary and the Czech Republic. Smetana’s “The Moldau,” from his larger collection of works called My Homeland, uses native folk tunes to depict two small streams building in strength and combining into the mighty Bohemian river. Dvo?ák’s Sixth Symphony was his fi rst major hit. Like in his other symphonies, Dvo?ák also uses Bohemian folk melodies to craft a traditional Germanic-style symphony. Bartók’s Piano Concerto No. 3, with a neo-classical fl air, was intended as a birthday gift for his wife.

This program featuring legendary Romanian pianist Radu Lupu is a journey to Eastern Europe—Hungary and the Czech Republic. Smetana’s “The Moldau,” from his larger collection of works called My Homeland, uses native folk tunes to depict two small streams building in strength and combining into the mighty Bohemian river. Dvo?ák’s Sixth Symphony was his fi rst major hit. Like in his other symphonies, Dvo?ák also uses Bohemian folk melodies to craft a traditional Germanic-style symphony. Bartók’s Piano Concerto No. 3, with a neo-classical fl air, was intended as a birthday gift for his wife.

This program featuring legendary Romanian pianist Radu Lupu is a journey to Eastern Europe—Hungary and the Czech Republic. Smetana’s “The Moldau,” from his larger collection of works called My Homeland, uses native folk tunes to depict two small streams building in strength and combining into the mighty Bohemian river. Dvo?ák’s Sixth Symphony was his fi rst major hit. Like in his other symphonies, Dvo?ák also uses Bohemian folk melodies to craft a traditional Germanic-style symphony. Bartók’s Piano Concerto No. 3, with a neo-classical fl air, was intended as a birthday gift for his wife.

Vladimir Jurowski returns for a two week-residency. For his fi rst program he contrasts composers from the Baroque with those from the height of Romanticism. Bach is performed along with Strauss and Mahler, exploring the evolution of music across three centuries. As part of the Strauss 150th anniversary year, legendary pianist Emanuel Ax performs the youthful Burleske for piano and orchestra. Written when he was 21, it is very much in the style of Liszt and Schumann but contains clear indications of the brilliant composer emerging with his own style.

Vladimir Jurowski returns for a two week-residency. For his fi rst program he contrasts composers from the Baroque with those from the height of Romanticism. Bach is performed along with Strauss and Mahler, exploring the evolution of music across three centuries. As part of the Strauss 150th anniversary year, legendary pianist Emanuel Ax performs the youthful Burleske for piano and orchestra. Written when he was 21, it is very much in the style of Liszt and Schumann but contains clear indications of the brilliant composer emerging with his own style.

Vladimir Jurowski returns for a two week-residency. For his fi rst program he contrasts composers from the Baroque with those from the height of Romanticism. Bach is performed along with Strauss and Mahler, exploring the evolution of music across three centuries. As part of the Strauss 150th anniversary year, legendary pianist Emanuel Ax performs the youthful Burleske for piano and orchestra. Written when he was 21, it is very much in the style of Liszt and Schumann but contains clear indications of the brilliant composer emerging with his own style.

The Philadelphia Orchestra had a historic connection to the great Russian composer, celebrated in this program exclusively of his works. Rachmaninoff’s setting of Edgar Allan Poe’s haunting poem “The Bells”
received its U.S. premiere in Philadelphia in 1920 with Leopold Stokowski. Inspired by an anonymous letter, Rachmaninoff was drawn to Poe’s text, composing this choral symphony. Between each of the four movements, Poe’s original text will be dramatically recited in English to capture the full essence of the words and music together.

The Philadelphia Orchestra had a historic connection to the great Russian composer, celebrated in this program exclusively of his works. Rachmaninoff’s setting of Edgar Allan Poe’s haunting poem “The Bells”
received its U.S. premiere in Philadelphia in 1920 with Leopold Stokowski. Inspired by an anonymous letter, Rachmaninoff was drawn to Poe’s text, composing this choral symphony. Between each of the four movements, Poe’s original text will be dramatically recited in English to capture the full essence of the words and music together.

The Philadelphia Orchestra had a historic connection to the great Russian composer, celebrated in this program exclusively of his works. Rachmaninoff’s setting of Edgar Allan Poe’s haunting poem “The Bells”
received its U.S. premiere in Philadelphia in 1920 with Leopold Stokowski. Inspired by an anonymous letter, Rachmaninoff was drawn to Poe’s text, composing this choral symphony. Between each of the four movements, Poe’s original text will be dramatically recited in English to capture the full essence of the words and music together.

Beethoven’s Symphony No. 3 (“Eroica”) was originally intended as a grand and heroic tribute to Napoleon. Upon learning that Napoleon had crowned himself Emperor of all Europe, the disaffected Beethoven scratched out the dedication with such vigor that he tore through the paper. In the end, the hero of this Symphony is the composer himself, who succeeded in creating a new architecture for the symphonic form and ignited the Romantic style in music.

Strauss composed his Metamorphosen for 23 solo strings in 1945 amid the cultural and physical destruction of World War II.

Beethoven’s Symphony No. 3 (“Eroica”) was originally intended as a grand and heroic tribute to Napoleon. Upon learning that Napoleon had crowned himself Emperor of all Europe, the disaffected Beethoven scratched out the dedication with such vigor that he tore through the paper. In the end, the hero of this Symphony is the composer himself, who succeeded in creating a new architecture for the symphonic form and ignited the Romantic style in music.

Strauss composed his Metamorphosen for 23 solo strings in 1945 amid the cultural and physical destruction of World War II.

Beethoven’s Symphony No. 3 (“Eroica”) was originally intended as a grand and heroic tribute to Napoleon. Upon learning that Napoleon had crowned himself Emperor of all Europe, the disaffected Beethoven scratched out the dedication with such vigor that he tore through the paper. In the end, the hero of this Symphony is the composer himself, who succeeded in creating a new architecture for the symphonic form and ignited the Romantic style in music.

Strauss composed his Metamorphosen for 23 solo strings in 1945 amid the cultural and physical destruction of World War II.

Stephane Deneve leads the fi rst performances of his two-week residency in Philadelphia: an evening dedicated to dance music and a fi rst-time collaboration with the dancers of Philadanco. The program features large-scale suites from beloved fairytale stories by two legendary Russian composers—Stravinsky and Prokofi ev. Stravinsky set the tale of a magical Firebird, based on a mythical Russian legend, as his fi rst major success with the Ballets Russes in Paris.

Stephane Deneve leads the fi rst performances of his two-week residency in Philadelphia: an evening dedicated to dance music and a fi rst-time collaboration with the dancers of Philadanco. The program features large-scale suites from beloved fairytale stories by two legendary Russian composers—Stravinsky and Prokofi ev. Stravinsky set the tale of a magical Firebird, based on a mythical Russian legend, as his fi rst major success with the Ballets Russes in Paris.

Beethoven’s only concerto for the violin is as much about the orchestra as it is the soloist. Written during the most prolifi c and groundbreaking period of his career, the Violin Concerto stands as one of the most sublime works of the entire repertoire.

Once again this season, Beethoven’s music is juxtaposed with the great symphonic master of the 20th century, Shostakovich. The Tenth Symphony was his fi rst symphonic work in eight years, written during the cultural “thawing” after Stalin’s death. On the surface, it contains Shostakovich’s soaring melodies and strident harmonies.

Beethoven’s only concerto for the violin is as much about the orchestra as it is the soloist. Written during the most prolifi c and groundbreaking period of his career, the Violin Concerto stands as one of the most sublime works of the entire repertoire.

Once again this season, Beethoven’s music is juxtaposed with the great symphonic master of the 20th century, Shostakovich. The Tenth Symphony was his fi rst symphonic work in eight years, written during the cultural “thawing” after Stalin’s death. On the surface, it contains Shostakovich’s soaring melodies and strident harmonies.

Beethoven’s only concerto for the violin is as much about the orchestra as it is the soloist. Written during the most prolifi c and groundbreaking period of his career, the Violin Concerto stands as one of the most sublime works of the entire repertoire.

Once again this season, Beethoven’s music is juxtaposed with the great symphonic master of the 20th century, Shostakovich. The Tenth Symphony was his fi rst symphonic work in eight years, written during the cultural “thawing” after Stalin’s death. On the surface, it contains Shostakovich’s soaring melodies and strident harmonies.

Yannick’s multi-season exploration of the great requiems continues with Fauré’s intimate and contemplative work. After the requiems of Mozart, Brahms, and Verdi, the Fauré is equally ethereal and deeply personal. The famous “Pie Jesu,” a beautiful and soaring solo for soprano, is just one highlight of the piece. It’s distinctive orchestration of lower strings is the centerpiece of a program featuring unique combinations and ensembles in this spiritual program, including styles from Medieval chant to antiphonal brass to Brazilian rhythms.

Yannick’s multi-season exploration of the great requiems continues with Fauré’s intimate and contemplative work. After the requiems of Mozart, Brahms, and Verdi, the Fauré is equally ethereal and deeply personal. The famous “Pie Jesu,” a beautiful and soaring solo for soprano, is just one highlight of the piece. It’s distinctive orchestration of lower strings is the centerpiece of a program featuring unique combinations and ensembles in this spiritual program, including styles from Medieval chant to antiphonal brass to Brazilian rhythms.

Yannick’s multi-season exploration of the great requiems continues with Fauré’s intimate and contemplative work. After the requiems of Mozart, Brahms, and Verdi, the Fauré is equally ethereal and deeply personal. The famous “Pie Jesu,” a beautiful and soaring solo for soprano, is just one highlight of the piece. It’s distinctive orchestration of lower strings is the centerpiece of a program featuring unique combinations and ensembles in this spiritual program, including styles from Medieval chant to antiphonal brass to Brazilian rhythms.

Brahms finally overcame his writer’s block when it came to writing a symphony at the age of 43. The shadow of Beethoven loomed so ominously that the composer took decades to complete his First Symphony. This triumphal work has rightfully found its place among the masterpieces of the 19th-century repertoire. A season-long collection of serenades would not be complete without the work of Mozart, who transformed this casual, entertaining genre into truly a genuine and legitimate style. His “Gran Partita” for 12 winds and one double bass is modest in instrumentation but profound in its scope.

Brahms fi nally overcame his writer’s block when it came to writing a symphony at the age of 43. The shadow of Beethoven loomed so ominously that the composer took decades to complete his First Symphony. This triumphal work has rightfully found its place among the masterpieces of the 19th-century repertoire. A season-long collection of serenades would not be complete without the work of Mozart, who transformed this casual, entertaining genre into truly a genuine and legitimate style. His “Gran Partita” for 12 winds and one double bass is modest in instrumentation but profound in its scope.

Brahms finally overcame his writer’s block when it came to writing a symphony at the age of 43. The shadow of Beethoven loomed so ominously that the composer took decades to complete his First Symphony. This triumphal work has rightfully found its place among the masterpieces of the 19th-century repertoire. A season-long collection of serenades would not be complete without the work of Mozart, who transformed this casual, entertaining genre into truly a genuine and legitimate style. His “Gran Partita” for 12 winds and one double bass is modest in instrumentation but profound in its scope.

Mozart’s “Linz” Symphony was written in just fi ve days and established the style of his late, fi nal symphonies. But this program, led by Donald Runnicles, also celebrates the centenary of British composer Benjamin Britten. The program opens with the Four Sea Interludes from his opera Peter Grimes. These orchestral interludes—Dawn, Sunday Morning, Moonlight, Storm— stand on their own as vivid depictions of the British coast. Violinist Janine Jansen presents the composer’s virtuosic Violin Concerto, written while in self-imposed exile in North America prior to the tumult of World War II.

Mozart’s “Linz” Symphony was written in just fi ve days and established the style of his late, fi nal symphonies. But this program, led by Donald Runnicles, also celebrates the centenary of British composer Benjamin Britten. The program opens with the Four Sea Interludes from his opera Peter Grimes. These orchestral interludes—Dawn, Sunday Morning, Moonlight, Storm— stand on their own as vivid depictions of the British coast. Violinist Janine Jansen presents the composer’s virtuosic Violin Concerto, written while in self-imposed exile in North America prior to the tumult of World War II.

Mozart’s “Linz” Symphony was written in just fi ve days and established the style of his late, fi nal symphonies. But this program, led by Donald Runnicles, also celebrates the centenary of British composer Benjamin Britten. The program opens with the Four Sea Interludes from his opera Peter Grimes. These orchestral interludes—Dawn, Sunday Morning, Moonlight, Storm— stand on their own as vivid depictions of the British coast. Violinist Janine Jansen presents the composer’s virtuosic Violin Concerto, written while in self-imposed exile in North America prior to the tumult of World War II.

Christoph von Dohnányi presents a program of German masterpieces. In his Symphony No. 7, Beethoven uses the smallest amount of material to craft a mighty symphony for the ages. From the emotive Allegretto of the second movement to the giddy Scherzo of the third movement and the noble finale, the Seventh stands as one of the most perfectly crafted works ever written. The success of Brahms’s Haydn Variations gave the composer the confi dence to complete his long-awaited First Symphony.

Christoph von Dohnányi presents a program of German masterpieces. In his Symphony No. 7, Beethoven uses the smallest amount of material to craft a mighty symphony for the ages. From the emotive Allegretto of the second movement to the giddy Scherzo of the third movement and the noble finale, the Seventh stands as one of the most perfectly crafted works ever written. The success of Brahms’s Haydn Variations gave the composer the confi dence to complete his long-awaited First Symphony.

Christoph von Dohnányi presents a program of German masterpieces. In his Symphony No. 7, Beethoven uses the smallest amount of material to craft a mighty symphony for the ages. From the emotive Allegretto of the second movement to the giddy Scherzo of the third movement and the noble finale, the Seventh stands as one of the most perfectly crafted works ever written. The success of Brahms’s Haydn Variations gave the composer the confi dence to complete his long-awaited First Symphony.

Gianandrea Noseda returns to Philadelphia in a program featuring the Fred J. Cooper Memorial Organ in Saint-Saëns’s Symphony No. 3. This impressive work combines the power and lyricism of the orchestra with the remarkable sound and colors of the grand pipe organ. Audience favorite James Ehnes returns to Philadelphia to perform Prokofiev’s thrilling Second Violin Concerto. And the program opens with a suite from Alfredo Casella’s opera La donna serpente, premiered just three years before the Prokofiev Violin Concerto No. 2.

Gianandrea Noseda returns to Philadelphia in a program featuring the Fred J. Cooper Memorial Organ in Saint-Saëns’s Symphony No. 3. This impressive work combines the power and lyricism of the orchestra with the remarkable sound and colors of the grand pipe organ. Audience favorite James Ehnes returns to Philadelphia to perform Prokofiev’s thrilling Second Violin Concerto. And the program opens with a suite from Alfredo Casella’s opera La donna serpente, premiered just three years before the Prokofiev Violin Concerto No. 2.

Gianandrea Noseda returns to Philadelphia in a program featuring the Fred J. Cooper Memorial Organ in Saint-Saëns’s Symphony No. 3. This impressive work combines the power and lyricism of the orchestra with the remarkable sound and colors of the grand pipe organ. Audience favorite James Ehnes returns to Philadelphia to perform Prokofiev’s thrilling Second Violin Concerto. And the program opens with a suite from Alfredo Casella’s opera La donna serpente, premiered just three years before the Prokofiev Violin Concerto No. 2.

Three different programs feature three great strengths of Mozart’s writing: his operas, his symphonies, and his piano concertos. The three overtures, taken from Mozart’s most successful collaborations with librettist Lorenzo Da Ponte. Three piano concertos from 1785. And his fi nal three symphonies.

Three different programs feature three great strengths of Mozart’s writing: his operas, his symphonies, and his piano concertos. The three overtures, taken from Mozart’s most successful collaborations with librettist Lorenzo Da Ponte. Three piano concertos from 1785. And his fi nal three symphonies.

Three different programs feature three great strengths of Mozart’s writing: his operas, his symphonies, and his piano concertos. The three overtures, taken from Mozart’s most successful collaborations with librettist Lorenzo Da Ponte. Three piano concertos from 1785. And his fi nal three symphonies.

Three different programs feature three great strengths of Mozart’s writing: his operas, his symphonies, and his piano concertos. The three overtures, taken from Mozart’s most successful collaborations with librettist Lorenzo Da Ponte. Three piano concertos from 1785. And his fi nal three symphonies.

Did Bruckner sense that his Ninth Symphony would be his fi nal work? After nine years of toil over the score, only three of the four movements were completed upon his death in 1896. A clear nod to Beethoven’s Ninth Symphony, also his last, Bruckner begins his Ninth Symphony in the same key of D minor. Likewise, the second movement of the Bruckner, like the Beethoven, is a blistering and powerful Scherzo.

Did Bruckner sense that his Ninth Symphony would be his fi nal work? After nine years of toil over the score, only three of the four movements were completed upon his death in 1896. A clear nod to Beethoven’s Ninth Symphony, also his last, Bruckner begins his Ninth Symphony in the same key of D minor. Likewise, the second movement of the Bruckner, like the Beethoven, is a blistering and powerful Scherzo.

The fast-paced one-act opera Salome is among the most important musical works of the 20th century. It stands out for its revolutionary use of a largescale orchestra and virtuosic singers as much as for its graphic depiction of this deeply psychological tale. Mahler, who attended the 1906 premiere along with Puccini, Zemlinsky, and Schoenberg, praised Salome as “one of the greatest masterworks of our time.” Strauss’s brilliant use of the orchestra and soloists are as demanding today as the day it premiered.

The fast-paced one-act opera Salome is among the most important musical works of the 20th century. It stands out for its revolutionary use of a largescale orchestra and virtuosic singers as much as for its graphic depiction of this deeply psychological tale. Mahler, who attended the 1906 premiere along with Puccini, Zemlinsky, and Schoenberg, praised Salome as “one of the greatest masterworks of our time.” Strauss’s brilliant use of the orchestra and soloists are as demanding today as the day it premiered.

Join Music Director Yannick Nézet-Séguin for the announcement of The Philadelphia Orchestra's 2013-14 season.

The Opening Night Concert and Gala features one of the preeminent virtuoso violinists of our time, Anne-Sophie Mutter, joining Yannick in an all-Tchaikovsky evening for violin and orchestra.

Enter the enchanted world of classical music as The Philadelphia Orchestra performs your magical musical favorites.

Begin a holiday tradition and celebrate the festive sounds of the season with The Philadelphia Orchestra. Your family will enjoy classics like The Nutcracker, and fan-favorite actors Michael Boudewyns and Sara Valentine return with a vaudeville-inspired performance of ’Twas the Night before Christmas. Don’t miss out on a spirited sing-along and Santa, so reserve your seats now and jingle all the way to Verizon Hall!

The Philadelphia Orchestra lends its lush sound to timeless holiday classics! Named for the Orchestra’s best-selling Christmas album, these concerts are the perfect way to begin your celebrations. Sarah Hicks, who made a smash debut on New Year’s Eve 2011 returns to the orchestra. Christmas has never sounded better.

The Philadelphia Orchestra lends its lush sound to timeless holiday classics! Named for the Orchestra’s best-selling Christmas album, these concerts are the perfect way to begin your celebrations. Sarah Hicks, who made a smash debut on New Year’s Eve 2011 returns to the orchestra. Christmas has never sounded better.

The Philadelphia Orchestra lends its lush sound to timeless holiday classics! Named for the Orchestra’s best-selling Christmas album, these concerts are the perfect way to begin your celebrations. Sarah Hicks, who made a smash debut on New Year’s Eve 2011 returns to the orchestra. Christmas has never sounded better.

This Baroque classic has become as integral to the season as the film It’s a Wonderful Life and has been a Philadelphia Orchestra tradition since 1961. There is no better way to enjoy the glorious majesty of this work than with the Orchestra. This performance sells out every year, so order these tickets today!

Start your New Year’s Eve celebration in style with The Philadelphia Orchestra! Bramwell Tovey, who became an instant audience favorite during his recent debut for The Glorious Sound of Christmas, returns for a festive and fun night. The concert ends in time for you to continue on with your own festivities.

Two great artforms, both requiring agility, creativity, and a lifetime of practice, come together in this thrilling evening featuring Cirque de la Symphonie. Breathtaking acrobatics fly above the Orchestra, accompanied by stunning symphonic repertoire including Sibelius’s soaring Finlandia, Wagner’s “The Ride of the Valkyries,” Chabrier’s España, and selections from Tchaikovsky’s Swan Lake plus many new orchestral showpieces you will surely love. The program features aerialists, contortionists, dancers, strongmen, and special surprises.

Two great artforms, both requiring agility, creativity, and a lifetime of practice, come together in this thrilling evening featuring Cirque de la Symphonie. Breathtaking acrobatics fly above the Orchestra, accompanied by stunning symphonic repertoire including Sibelius’s soaring Finlandia, Wagner’s “The Ride of the Valkyries,” Chabrier’s España, and selections from Tchaikovsky’s Swan Lake plus many new orchestral showpieces you will surely love. The program features aerialists, contortionists, dancers, strongmen, and special surprises.

From violin to tuba, flute to bassoon, take a tour of the orchestra, as each plays a tune. Woodwinds, then strings; brass, then percussion. At the end hear a fugue, a lively music discussion! Then there’s a story about a boy named Farkle. He plays many things, and is truly remarkable. Which instrument will he choose? For he is quite fickle. Come hear for yourself, and help solve this great riddle.

The Fabulous Philadelphians bring your favorite cartoon classics to life, including Rossini’s famous overtures to William Tell and The Barber of Seville. Charlotte Blake Alston tells the story of a wooden puppet who wants to be a real boy in Michael Gandolfi’s imaginative Pinocchio’s Adventures in Funland, accompanied by images of artwork created by the audience.

Wolfgang Amadè Mozart was no ordinary kid. By the age of 11, he had toured Europe playing for royalty, composed his first six symphonies, and written his first opera. Learn more about the boy prodigy who became one of the world’s master composers in this interactive concert designed to entertain, inspire, and educate. The program features popular works by Mozart and a performance by teenage piano virtuoso Jan Lisiecki.

For children, ages 3-5. Enter the captivating world of classical music with this free, interactive program with Philadelphia Orchestra musician Yumi Kendall and award-winning storyteller Charlotte Blake Alston.

Join us for a thrilling performance of Walt Disney’s groundbreaking marriage of symphonic music and animation, Fantasia. Magnificent repertoire from the original 1940 version and Fantasia 2000.

Michael Feinstein, the multi-platinum-selling, two-time Emmy and five-time Grammy Award-nominated entertainer dubbed "The Ambassador of the Great American Songbook," returns to the Mann with special guests.

Philadelphia sports take center stage at the Mann this summer when the Phillies, Eagles, Sixers, Flyers, and Union join forces with the Fabulous Philadelphians for the world premiere of Symphonic Sports-tacular.

The Legend of Zelda: Symphony of the Goddesses returns to the Mann by popular demand with 50% all new images and music!

Three Russian titans, Rachmaninoff, Stravinsky, and Rimsky-Korsakov have created some of the most popular orchestral music of all time.

The late American pianist Van Cliburn had a long and cherished relationship with Philadelphia audiences and our great orchestra.

For the last 22 years, The Philadelphia Orchestra has hosted the annual Golf Classic, supported and attended by many of our region’s most avid golfers, community and corporate leaders, as well as some of the Orchestra’s own musicians.

The Philadelphia Orchestra returns for a 6th season to present another FREE Neighborhood Concert on the RiverStage at the Great Plaza, presented by Wells Fargo. The concert will be followed by a land-side fireworks display.

Guest Lecturer: Bob Grossman, Principal Librarian, The Philadelphia Orchestra

Celebrity Guest: Janet Yamron, Professor Emerita, Temple University Boyer College of Music, DoubleTree Hotel

Guest Lecturer: Gilya Hodos, Pianist, Past President PA Music Teachers Association

Celebrity Guest: Jennifer Montone, Principal Horn,The Philadelphia Orchestra, DoubleTree Hotel

Guest Lecturer: Charles Abramovic, Professor of Piano, Temple University Boyer College of Music

Celebrity Guest: Carol Jantsch, Principal Tuba, The Philadelphia Orchestra, DoubleTree Hotel

Guest Lecturer: Paul Arnold, Violin, The Philadelphia Orchestra

Celebrity Guest: Andrea Clearfield, Composer, DoubleTree Hotel

Guest Lecturer: Kimberly Fisher, Principal Second Violin, The Philadelphia Orchestra

Celebrity Guest: Derek Barnes, Cello, The Philadelphia Orchestra, DoubleTree Hotel

Guest Lecturer: Michael Klein, Professor of Music and Chair of the Department of Music Studies, Temple University, Boyer College of Music

Celebrity Guest: Daniel Han, Violin, The Philadelphia Orchestra, DoubleTree Hotel

The Rittenhouse Square Volunteer Committee hosts their annual fundraiser, starring some of our own Orchestra musicians! This evening of musical magic includes wine and hors d’oeuvres. Space is limited. For more information, please contact Erica Busillo, interim manager of volunteer relations, at ebusillo@philorch.org or 215.893.3124.

The Main Line Associates Volunteer Committee presents a self-guided tour of beautiful private Main Line kitchens. Each kitchen features a chef, floral display, and beautiful table setting for four. Proceeds from this event support The Philadelphia Orchestra’s fundraising efforts. This event is open to the public. For more information, or to purchase tickets, please go the website www.notablekitchens.com.

On Friday, April 4th, the Volunteer Committees are excited to host “On That Note” at the city’s hottest music venue for live performances, World Cafe Live.

Join us for the 2013-14 season, the second under Music Director Yannick Nézet-Séguin.

The Chestnut Hill Volunteer Committee presents a gem of a luncheon at the Radnor Valley Country Club with shopping opportunities for jewels, accessories, baked goods, chocolates, and much more! Proceeds from this event support The Philadelphia Orchestra’s fundraising efforts. This event is open to the public. For more information, please contact Erica Busillo, Interim Manager of Volunteer Relations, at ebusillo@philorch.org or 215.893.3124.

Join us for Philadelphia's premier annual white-tie gala to celebrate this iconic building's 157th birthday, while contributing to the restoration and preservation of our national historic landmark. Music Director Yannick Nézet-Séguin and The Philadelphia Orchestra along with the brightest guest stars will dazzle you in a spectacular evening of music, dining, and dancing not to be missed!

Join Friends and Maestro’s Circle members at a working session of the Orchestra with Maestro Rafael Frühbeck de Burgos and esteemed guest artist Lisa de la Salle rehearse the following pieces.
Beethoven - Overture to King Stephen
Beethoven - Symphony No. 8
Liszt - Piano Concert No. 2
Respighi – The Pines of Rome

Open Rehearsals are an Annual Fund membership benefit. To join or renew, make your donation today.

Learn More about The Annual Fund

Join Friends and Maestro’s Circle members at a working session of the Orchestra with Maestro Manfred Honeck and esteemed guest artist Christian Tetzlaff rehearse the following pieces.
Strauss – Overture to Die Fledermaus
Mozart – Violin Concerto No. 5
Dvorak – Symphony No. 9 (“From the New World”)

Open Rehearsals are an Annual Fund membership benefit. To join or renew, make your donation today.

Learn More about The Annual Fund

Join Friends and Maestro’s Circle members at a working session of the Orchestra with Maestro Tugan Sokhiev and esteemed guest artist Vadim Gluzman rehearse the following pieces.
Rimsky-Korsakov – “Battle of Kerzhenets,” from The Legend of the Invisible City of Kitezh
Tchaikovsky – Violin Concerto
Musorgsky – Pictures from an Exhibition

Open Rehearsals are an Annual Fund membership benefit. To join or renew, make your donation today.

Learn More about The Annual Fund

Join Friends and Maestro’s Circle members at a working session of the Orchestra with Maestro Herbert Blomstedt rehearse the following pieces.
Mozart – Serenade in B-flat major (“Gran Partita”)
Brahms – Symphony No. 1

Open Rehearsals are an Annual Fund membership benefit. To join or renew, make your donation today.

Learn More about The Annual Fund

Join Friends and Maestro’s Circle members at a working session of the Orchestra with Maestro Yannick Nézet-Séguin and esteemed guest artist Lisa Batiashvili rehearse the following pieces.
Barber – Adagio for Strings
Bartók – Violin Concerto No. 1
Bruckner – Symphony No. 9

Open Rehearsals are an Annual Fund membership benefit. To join or renew, make your donation today.

Learn More about The Annual Fund

Musicians’ Circle donors and above enjoy an exclusive pre-rehearsal breakfast and conversation with Maestro Stéphane Dèneve prior to the rehearsal. Breakfast begins at 9:30 AM at the Kimmel Center in the Rendell Room (located on Tier 1) with rehearsal beginning promptly at 10:30 AM in Verizon Hall.
Maestro Stéphane Dèneve, esteemed guest artist Nikolaj Znaider and the Fabulous Philadelphians will rehearse the following pieces.
Beethoven – Violin Concerto
Shostakovich – Symphony No. 10

Did Bruckner sense that his Ninth Symphony would be his final work? After nine years of toil over the score, only three of the four movements were completed upon his death in 1896. A clear nod to Beethoven’s Ninth Symphony, also his last, Bruckner begins his Ninth Symphony in the same key of D minor. Likewise, the second movement of the Bruckner, like the Beethoven, is a blistering and powerful Scherzo.

Vivaldi wrote over 500 concertos, but none more famous than his Four Seasons. His depictions of rustling leaves, barking dogs, shimmering snow, along with the rejuvenation of spring are still as vivid as they were nearly 300 years ago. Violinist Giuliano Carmignola joins early-music specialist Richard Egarr to present the music of 17th-century composer Henry Purcell in his adaptation of Shakespeare’s A Midsummer Night’s Dream. Haydn’s Symphony No. 101, one of his great “London” symphonies, is nicknamed “The Clock” for the “ticking” rhythm of its second movement.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Sound All Around concerts are interactive programs with members of The Philadelphia Orchestra and award-winning storyteller Charlotte Blake Alston. Children listen to stories with music, sing songs, move to the music, pretend to play an instrument, and examine real instruments up close. Each concert introduces the audience to a member of the string, woodwind, brass, or percussion family and the final concert features all of the musicians from the season playing together in an ensemble.

Concerts are 45 minutes long and a great way for kids, families, daycares, and school groups to have fun with music. Named as Philadelphia magazine’s Best of Philly® 2007–Best Music Program, Sound All Around takes place in Center City Philadelphia at the historic Academy of Music.

Morning Musicales, presented by The West Philadelphia Committee, was inaugurated in 1962 and has continued since then without interruption. Inspired by the late Mrs. Frederick T. van Urk, Morning Musicales provides an opportunity for excellent young performers to appear before discriminating audiences with the possibility of review by professional music critics. The series also helps to provide funds to support projects associated with The Philadelpia Orchestra. The Morning Musicale on October 31st welcomes Benito Meza, clarinetist, to the stage.

Morning Musicales, presented by The West Philadelphia Committee, was inaugurated in 1962 and has continued since then without interruption. Inspired by the late Mrs. Frederick T. van Urk, Morning Musicales provides an opportunity for excellent young performers to appear before discriminating audiences with the possibility of review by professional music critics. The series also helps to provide funds to support projects associated with The Philadelpia Orchestra. The Morning Musicale on January 8th welcomes Yulia Van Doren, soprano, to the stage.

Morning Musicales, presented by The West Philadelphia Committee, was inaugurated in 1962 and has continued since then without interruption. Inspired by the late Mrs. Frederick T. van Urk, Morning Musicales provides an opportunity for excellent young performers to appear before discriminating audiences with the possibility of review by professional music critics. The series also helps to provide funds to support projects associated with The Philadelpia Orchestra. The Morning Musicale on March 11th welcomes Ji-Yong, pianist, to the stage.

Philadelphia Orchestra Music Director Yannick Nézet-Séguin will be signing copies of the Orchestra’s new studio album.

Philadelphia Orchestra Music Director Yannick Nézet-Séguin leads his first Neighborhood Concert when the Orchestra heads up North Broad Street this fall for a FREE concert at Temple University’s Performing Arts Center, Wednesday, November 6, at 6:30 PM. The concert is presented by Wells Fargo, a supporter of the Orchestra’s Neighborhood Concerts since 2003.

Beethoven’s Symphony No. 3 (“Eroica”) was originally intended as a grand and heroic tribute to Napoleon. Upon learning that Napoleon had crowned himself Emperor of all Europe, the disaffected Beethoven scratched out the dedication with such vigor that he tore through the paper. In the end, the hero of this Symphony is the composer himself, who succeeded in creating a new architecture for the symphonic form and ignited the Romantic style in music.

Strauss composed his Metamorphosen for 23 solo strings in 1945 amid the cultural and physical destruction of World War II.

Did Bruckner sense that his Ninth Symphony would be his final work? After nine years of toil over the score, only three of the four movements were completed upon his death in 1896. A clear nod to Beethoven’s Ninth Symphony, also his last, Bruckner begins his Ninth Symphony in the same key of D minor. Likewise, the second movement of the Bruckner, like the Beethoven, is a blistering and powerful Scherzo.