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The Philadelphia Orchestra and the Minnesota Orchestra have commissioned two composers, Amy Scurria from Pennsylvania and Steve Heitzeg from Minnesota, to work together in the creation of a composition for full orchestra that will highlight a significant moment in our nation’s history. The world premiere will take place with The Philadelphia Orchestra in January 2003, with additional performances by the Minnesota Orchestra in March 2003.

We are Met at Gettysburg will focus on the fortuitous exploits of the 1st Minnesota Regiment at the Battle of Gettysburg, Pennsylvania in 1863. This unusual co-composition, to be completed and performed in the 140th anniversary year of the Battle of Gettysburg, will reflect the enduring bond between the two states as the Minnesotans shed their blood into Pennsylvania soil.

Amy Scurria of Bryn Mawr, Pennsylvania and Steve Heitzeg of St. Paul, Minnesota met for the first time on the battlegrounds at Gettysburg on September 7th, 2001. The artistic process -- generating ideas and reacting to initial impressions -- began on the fields where the 1st Minnesota was engaged in battle, along with a long afternoon of conversation at the Pennsylvania Monument nearby. In a particularly memorable moment, Amy and Steve sat together at the site and exchanged letters that expressed their initial thoughts and hopes regarding the project.

In part, the commission’s inspiration is derived from the depiction of the battle in
The Last Full Measure: The Life and Death of the First Minnesota Volunteers, the highly acclaimed book by Richard Moe. However, the composition is also a reflection of both the personal and collaborative musical inspirations of the two composers.

This web site will serve as a collection of information about the project, the commission, the composers, and the 1st Minnesota. In addition, it will contain curriculum materials for teachers and students across America. Over 10,000 students and teachers will attend live performances of the new piece in Minnesota and Philadelphia in early 2003.

Both Minnesota and Pennsylvania teachers will write lesson plans, and classrooms from each state will be matched for some dynamic educational experiences. Incorporating technology is an important component of the project.

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Project Elements
1. We are met at Gettysburg, a new, 15’ symphonic work to be performed by both the Minnesota Orchestra and The Philadelphia Orchestra

2. A collaboration of two composer,
Amy Scurria and Steve Heitzeg.
The unique collaboration of two composers is inspired by the fateful union of two Union States in 1863 at Gettysburg

3. Philadelphia Orchestra Concerts: An American Journey Family Concert, sponsored by Independence Blue Cross, on January 4, 2003 and School Concerts, sponsored in part by Lincoln Financial Group Foundation, on January 13, 2003
.
4. All concerts conducted by Giancarlo Guerrero, the Minnesota Orchestra’s associate conductor

5. Online classroom preparation
curriculum materials

6.
Teacher Workshop on October 19, 2002

7. A project-specific web site for teachers, students, and general public to be launched in October, 2002

8. A
tour of Gettysburg hosted by Dr. Carol A. Reardon of Penn State University co-sponsored by The Friends of the National Parks of Gettysburg

9. A
lecture/presentation hosted by the Union League of Philadelphia and the Abraham Lincoln Foundation featuring author Richard Moe, composer Amy Scurria. For further information and reservations, call 215-893-1910.

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Source of Our Inspiration
On July 2nd, on the rolling hills of Gettysburg, Pennsylvania, a small group of volunteers on the First Minnesota Regiment — through extraordinary courage and sacrifice— changed the course of the battle, and thereafter the outcome of the entire war and our nation’s history. 2002 will mark the 140th Anniversary of the Civil War battle at Gettysburg.

It is the unforeseen union of these two states, and these two peoples that is primary object of interest for this commission. The battle itself is a subtext.

Inspirationally, the commission is, in part, derived from the depiction of events in
The Last Full Measure: The Life and Death of the First Minnesota Volunteers by Richard Moe.

Naming of the Commision: We are Met at Gettysburg
Comments from Steve Heitzeg:
We are met at Gettysburg comes from a merging of text from President Lincoln’s Gettysburg Address: "We are met on a great battlefield of that war..." The fact that the title is in the present tense refers to the continued relevance of Gettysburg and the unresolved struggle over the meaning of equality. It is at Gettysburg that each of us is met by the long and ugly shadow of slavery.

Also, Amy and I met for the first time at Gettysburg. And, in a much larger and deeper psychological sense, our national psyche is met at Gettysburg in the sense that our country is really defined by the events of Gettysburg. We are defined by what our view of Gettysburg is, collectively.

The phrase "We are Met at" also evokes that era or period of time, and the words evoke a kind of 19th century way of saying this, a phraseology not commonly used in the 21st century.

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Copyright 2002 The Philadelphia Orchestra