ClassicsToday.com
Artistic Quality 10/10 Sound Quality
“[T]his Mahler Sixth is really extraordinary. ... [Eschenbach] has a special feeling for [the work’s] harrowing intensity and expressionistic instrumental palette. Toss in the collective virtuosity of the Philadelphia Orchestra, and the result is, to put it mildly, pretty special.
"One of the first things you notice about this performance ... is the rich ensemble sound. The strings have a heft that gives Karajan’s Berliners a run for their money, but never at the expense of textural clarity, thanks to penetrating brass and woodwinds. ...
“Aside from eliciting string playing that is so beautiful it will send chills down your spine, Eschenbach once again proves his sensitivity to Mahler’s idiom in the positively luminous ‘Alpine meadow’ episode, and above all when the cowbells come painfully crashing in against the final climactic appearance of the main theme. It’s a moment that no other performance matches, and no Mahlerian will want to miss it. ...
“I know that Mahler Sixes seem to be a dime a dozen these days, but this one, a first for Philadelphia, belongs among the elite few (Bernstein I and II, Chailly, Levi, T. Sanderling, and Gielen). It’s just bloody thrilling.”
September 26, 2006
Dallas Morning News
"From Christoph Eschenbach and the Philadelphia Orchestra comes a Mahler Sixth Symphony that goes right to the front of the class.... The orchestra plays gloriously, its legendary string sheen as radiant as ever. A sympathetic performance of Mahler's one-movement Piano Quartet, with three members of the orchestra, reminds us that Mr. Eschenbach ... remains a fine [pianist].”
October 21, 2006
One of the top 10 classical CDs of 2006
“[Christoph Eschenbach’s] Mahler Sixth is compelling start to finish, and the Philadelphia's famous luster seems undimmed.”
December 27, 2006
Philadelphia Inquirer
One of the 10 best recordings of 2006
“This choice is not about civic pride. It's prompted by the end-of-the-world power of the performance, with the orchestra sounding like it's had a triple espresso and Eschenbach's considerable imagination in full tilt. No matter how many Mahler Sixths anybody has, there should always be room for ones this good.”
December 10, 2006
Time Out New York
One of the top 10 recordings of 2006
December 28, 2006 – January 3, 2007
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