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We invite you to explore the 2018-19 season, a vibrant and exhilarating new season, Yannick Nézet-Séguin’s seventh as music director with the Fabulous Philadelphians. Browse through the season and find concert after concert that offer a great variety of styles and scope of repertoire. Within the season, there are always special highlights. Look for these exceptional performances as you imagine your four concerts (or more!) with The Philadelphia Orchestra next season.
Make your selections now while great seats are available. Be sure to add on any additional tickets to our special events or to bring friends along with you. Plus, you’ll receive subscriber benefits such as flexible ticket exchanges, discounted pre-paid parking, and more. Concerts do sell out, so the best way to secure the best seats at the best prices is to subscribe now!
Season Highlight concerts:
The breadth and depth of Tchaikovsky's musical genius are on display in this dazzling celebration of his music, led by our dynamic Assistant Conductor Kensho Watanabe. Inspired by a trip to sunny Italy, Tchaikovsky transforms the sounds he heard all around him into a delightful “Italian Fantasia” (his original title for Capriccio italien). He turns to Mozart for inspiration in his Rococo Variations, the closest Tchaikovsky came to writing a cello concerto, performed by rising star Edgar Moreau.
Twentieth-century musical titan meets Elizabethan genius playwright: Prokofiev's three suites from Romeo and Juliet are concert favorites. Here, we present much more of the music that has made Shakespeare's immortal tragedy come alive in performances around the globe. If you've never seen the ballet, you'll be amazed at how Prokofiev's searing score captures all the drama and heartbreak of this immortal story!
Mozart's haunting Requiem is accompanied by glimpses of the composer at different stages of his all-too-brief life. He was only 17 when he wrote his Symphony No. 25. (You may know it from the opening of the film Amadeus.) The Masonic Funeral Music is a product of his late 20s, composed in memory of two of his fellow Masons, both Viennese aristocrats. And of course, the Requiem came at the very end of Mozart's life: He died before he could finish it. The version heard on these concerts was completed by the brilliant Mozart scholar Robert Levin.
In a capstone to our Leonard Bernstein centenary celebration, we present his quirky, complex, irreverent, and very humorous operetta Candide, with orchestral staging. First performed in 1956, the work has come into its own in recent decades, thanks to Bernstein's endless musical inventiveness and collaborators from Stephen Sondheim to Dorothy Parker (and of course, Voltaire, who wrote the original story, published in 1759).