This subscription package includes performances that feature chorus and therefore Conductor’s Circle seating is not available for one or more event. For your convenience we will seat you in Orchestra Tier or Tier 1 at no additional price for these performances.
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Celebrate 10 years of music-making between Yannick and the Philadelphians. André Watts soloed at Yannick's Philadelphia Orchestra debut in 2008; he celebrates the 10th anniversary with Grieg's stirring Piano Concerto. With the Metropolitan Opera giving the U.S. premiere of Nico Muhly's sensational opera Marnie, based on Winston Graham's book and Alfred Hitchcock's film, we present the world premiere of the companion orchestral suite (a Philadelphia Orchestra commission).
You may think you know Appalachian Spring, but the newly completed version performed here is the complete chamber ballet score orchestrated for a large ensemble. (Eugene Ormandy himself asked Copland to expand the orchestration a half century ago.) Consider it our “simple gift” to you! Our good friend Cristian Macelaru leads this all-American program. He's arranged a suite from Jake Heggie's opera Moby Dick (“a masterpiece of clarity and intensity”—San Francisco Chronicle).
Cristian Macelaru returns to take us to sunny Spain, joined by the Grammy™-winning Los Angeles Guitar Quartet. They star in Rodrigo's Concierto andaluz, a sparkling blend of Baroque music and traditional Spanish sounds. Chabrier may have been a Frenchman, but his España was inspired by a trip to Spain; this piece will take you there.
An acclaimed contralto turned conductor, Nathalie Stutzmann wowed the audience at her 2016 debut conducting Messiah. She returns to make her subscription debut with a program featuring Benjamin Grosvenor in Beethoven's Piano Concerto No. 1. A Gramophone “Young Artist Award” winner, Grosvenor has established himself as one of today's finest pianists. Beethoven's Fourth Symphony, and the ever-surprising Symphony No. 94 by Haydn (Beethoven's teacher), are sublime musical companions.
Hannibal completes his tenure as composer-in-residence with the world premiere of Healing Tones, a hymn for the City of Brotherly Love. He's spent the past two years immersing himself in Philadelphia, collecting inspiration, texts, and music from all walks of life. Given his past triumphs here (including One Land, One River, One People), Hannibal's new piece is sure to enthrall. Yannick continues his complete cycle of the Sibelius symphonies with the Second.
In a capstone to our Leonard Bernstein centenary celebration, we present his quirky, complex, irreverent, and very humorous operetta Candide, with orchestral staging. First performed in 1956, the work has come into its own in recent decades, thanks to Bernstein's endless musical inventiveness and collaborators from Stephen Sondheim to Dorothy Parker (and of course, Voltaire, who wrote the original story, published in 1759).