Haunting harmonies and mysterious melodies for the whole family! Come in costume for fright and delight at The Philadelphia Orchestra./p>
Join us on a whirlwind tour of the music of South America and, courtesy of New Yorker George Gershwin, the Caribbean! His 1932 Cuban Overture is awash in rhumba rhythms. Principal Harp Elizabeth Hainen shines in Ginastera's Harp Concerto, given its world premiere by The Philadelphia Orchestra in 1965. Fellow Argentinian Astor Piazzolla's Tangazo mines the tango's rich emotional depths as only he could.
Yannick teams up with mezzo-soprano Joyce DiDonato, one of the biggest vocal talents in the world, a rare combination of exceptional skills and winning personality. She'll shine in Chausson's musical poem about love, death, and the sea. The Philadelphians take center stage in Wagner's Prelude to Act I of Lohengrin and Respighi's Fountains of Rome. And we are eager to welcome back American composer Mason Bates after the resounding success of his fascinating and futuristic Alternative Energy in 2017.
You may think you know Appalachian Spring, but the newly completed version performed here is the complete chamber ballet score orchestrated for a large ensemble. (Eugene Ormandy himself asked Copland to expand the orchestration a half century ago.) Consider it our “simple gift” to you! Our good friend Cristian Macelaru leads this all-American program. He's arranged a suite from Jake Heggie's opera Moby Dick (“a masterpiece of clarity and intensity”—San Francisco Chronicle).
The breadth and depth of Tchaikovsky's musical genius are on display in this dazzling celebration of his music, led by our dynamic Assistant Conductor Kensho Watanabe. Inspired by a trip to sunny Italy, Tchaikovsky transforms the sounds he heard all around him into a delightful “Italian Fantasia” (his original title for Capriccio italien). He turns to Mozart for inspiration in his Rococo Variations, the closest Tchaikovsky came to writing a cello concerto, performed by rising star Edgar Moreau.
An acclaimed contralto turned conductor, Nathalie Stutzmann wowed the audience at her 2016 debut conducting Messiah. She returns to make her subscription debut with a program featuring Benjamin Grosvenor in Beethoven's Piano Concerto No. 1. A Gramophone “Young Artist Award” winner, Grosvenor has established himself as one of today's finest pianists. Beethoven's Fourth Symphony, and the ever-surprising Symphony No. 94 by Haydn (Beethoven's teacher), are sublime musical companions.
The Rachmaninoff Symphony No. 1 gets a well-deserved encore. Richard Woodhams, principal oboe from 1977 until his upcoming retirement at the end of the 2017-18 season, returns for this encore collaboration with his principal colleagues in this charming work for a quartet of winds and orchestra.