The Philadelphia Orchestra presents TeenTix, a ticket program for middle and high school students aimed to make low-priced tickets available to Philadelphia youth. For select concerts, the Orchestra makes a limited number of $10 seats available for Middle School and High School students throughout the 2016-17 season.
Here is how the program works:
Register for free: Students can pre-register online here or in person via this form at the Kimmel Center Box Office.
Purchase Tickets: All tickets must be purchased in person at the Kimmel Center Box Office between the hours of 10:00am and 7:00pm. Tickets are $10 and will be made available the day of the performance for the dates listed below. Only one ticket per student may be purchased and students must present their school ID - sorry no exceptions.
Seating: Seating is at the discretion of the Box Office. Seat locations will be throughout the hall.
Parents: Once a student is registered, any parent who wishes to purchase a ticket for their child must have their child and their child’s student ID with them. A parent is permitted to purchase a $10 ticket if they would like to attend the concert with their child. Seating with your child is also at the discretion of the Box Office, and not guaranteed.
Concerts: Available concerts through TeenTix are intended to offer the most tickets possible, however tickets are subject to availability.
Paris is home to one of the world’s richest mixtures of culture and music. This first of three Festival programs celebrates composers who were based in the City of Light. At the heart of the concert are the gorgeous selections from Joseph Canteloube’s Songs of the Auvergne, a work often requested by our audience. Mezzo-soprano Susan Graham will float the exquisite melodies straight into your heart while showcasing the extraordinary chemistry she enjoys with Yannick. Chabrier was a composer’s composer; his Joyeuse Marche is a jaunty parade through the boulevards of Paris. Fauré’s haunting Pavane has delighted Parisiens (and everyone else) since its first performances in the 1880s. Saint-Saëns’s “Bacchanale” is a raucous episode from his opera Samson and Delilah. Ravel’s Menuet antique is perhaps inspired by Chabrier, an early supporter. And Florent Schmitt’s Suite from La Tragédie de Salomé anticipates the work of another Paris resident, Stravinsky. The lives (and works) of these composers intertwined; we know you’ll relish the musical riches that could only have been born in Paris.
On our second visit to Paris, Yannick and the Orchestra feature two brilliant musical expats who made the French capital their home, while never forgetting their native land. Frédéric Chopin wrote his Piano Concerto No. 1 before he left Poland in 1830; political upheaval drove him to Paris, where he remained for the rest of his life, dazzling the city (and audiences and critics throughout the world) with his extraordinary performing and composing skills. The Concerto is thus a fascinating look at a genius in transition. Our soloist, Chopin-specialist Louis Lortie, will bring out all the riches of this piano masterwork. Igor Stravinsky enjoyed remarkable success and support in Paris, but kept strong ties to his roots. His music for the ballet Petrushka, based on Russia’s version of Punch and Judy, premiered in Paris in 1911, with the immortal Nijinsky in the title role.
Yannick has spoken often of his great passion for Brahms, possibly his favorite composer. The culmination of this season’s symphonic cycle features selections from his final musical work, the Eleven Choral Preludes, as well as his last symphony and the Bach cantata that inspired it. The Choral Preludes, originally written for organ, are a natural companion to Bach, the master of sacred organ and choral music, who is represented here by his Cantata No. 150. And in an homage across time, Brahms based the final movement of his majestic Fourth Symphony on the final movement of the same Bach Cantata. Hear the Choral Preludes in beautiful new transcriptions by Detlev Glanert alongside the original organ works in this varied presentation featuring the Fred J. Cooper Memorial Organ. Marvelous works on their own; even better in context with each other; sublime with Yannick and the Philadelphians!
Indulge in Yannick’s passion for opera in these three evenings of pure spine-tingling drama! Yannick pairs some surprising selections from Tchaikovsky’s dark and gorgeous ballet score with Bartók’s sinister one-act opera. If you think the Black Swan is harrowing, wait until you see what happens when Bluebeard’s suspicious bride insists on seeing what’s behind seven locked doors in her new husband’s castle. The electrifying mezzo-soprano and frequent Metropolitan Opera performer Michelle DeYoung is the newlywed Judith, whose high C will give you chills; Metropolitan Opera regular John Relyea sings the brooding Duke Bluebeard. Spoiler alert: Judith might not want to open that last door.
This concert is LiveNote™ enabled.
Additional dates may be released at a later time.